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ys: in the striving for development on the part of every product, in the preservation of the genus amid the disappearance of individuals, in the endlessness of the series of products. Nature's creative impulse is inexhaustible, it transcends every product. Qualities are points of arrest in the one universal force of nature; all nature is a connected development. Because of the opposition in the nature-ground between the stimulating and the retarding activity, the law of duality everywhere rules. To these two forces, however, still a third factor must be added as their copula, which determines the relation or measure of their connection. This is the source of the threefold division of the Philosophy of Nature. The magnet with its union of opposite polar forces is the type of all configuration in nature. With Fichte's synthetic method and Herder's naturalistic principles Schelling combines Kantian ideas, especially Kant's dynamism (matter is a force-product),[1] and his view of the organic (organisms are self-productive beings, and are regarded by us as ends in themselves, because of the interaction between their members and the whole). The three organic functions sensibility, irritability, and reproduction, on the other hand, Schelling took from Kielmeyer, whose address _On the Relations of the Organic Forces_, 1793, excited great attention. The concept of life is dominant in Schelling's theory of nature. The organic is more original than the inorganic; the latter must be explained from the former; that which is dead must be considered as a product of departing life. No less erroneous than the theory of a magic vital force is the mechanical interpretation, which looks on life merely as a chemical phenomenon. The dead, mechanical and chemical, forces are merely the negative conditions of life; to them there must be added as a positive force a vital stimulus external to the individual, which continually rekindles the conflict between the opposing activities on which the vital process depends. Life consists, that is, in the perpetual prevention of the equilibrium which is the object of the chemical process. This constant disturbance proceeds from "universal nature," which, as the common principle of organic and inorganic nature, as that which determines them for each other, which founds a pre-established harmony between them, deserves the name of the world-soul. Schelling thus recognizes a threefold nature: organized, inorga
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