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tion, shyness and fervor implied in the Latin words as uttered by Vedia. F. OPTIONES Private soldiers chosen by their centurions as informal assistant- centurions; to take their superior's place if he fell in battle, or was disabled or ill, and to assist him with his routine duties. They correspond more or less to the corporals of modern armies. (See also NOTE D.) G. SPINA The stone wall, platform, or long narrow structure down the middle of the arena of a Roman circus, dividing its race-course into half laps. Along it the teams tore at top speed, for the short turns about its rounded ends their drivers reined them in. The spina was about 660 feet long. It varied from a low wall to a gorgeous and complicated series of structures. H. ERGASTULUM A hard-labor prison, whether belonging to a private person, company or municipality, usually below ground-level, for criminal, dangerous, unmanageable or runaway slaves. J. COMMODUS AS AN ATHLETE Even more than Babe Ruth at baseball Commodus was a wonder at beast- killing in the amphitheater. Dio Cassius, who, being a senator, looked on from a front seat, says (LXXII, 18.) that he killed a hundred bears in one day. Herodian, who grew up with men who had known Commodus and had been spectators of his prowess, says (I; 15; 3, 4, 5, 6.) that when he speared lions and leopards no one saw a second javelin cast nor any wound not fatal, that he sent his dart at will through the forehead or the heart of an animal rushing at top speed and that his missile never struck any part of a beast except so as both to wound and kill. Hurling his javelins from a distance he killed a hundred lions let out of the crypts of the Colosseum with precisely the same number of spear-casts, no dart missing its mark. ***END OF THE PROJECT GUTENBERG EBOOK ANDIVIUS HEDULIO*** ******* This file should be named 8532.txt or 8532.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/8/5/3/8532 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to cop
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