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spoke in tones that Calli could not fail to hear:-- "Never turn your face from a cowardly foe, Max. He will, if he can, stab you in the back. Your revenge will come when you send his soul to hell." Calli grasped his dagger hilt and muttered something about the duke's presence. The incident determined us in the course Max should take. He should tell the duke who he was, remain in Burgundy to kill this fellow Calli, and to meet such other fortune as the Fates might have in store for him. Hymbercourt and the duke spoke together for the space of five minutes, evidently discussing a parchment that Charles held in his hand. Then the duke resumed his seat, and handed the parchment to the Bishop of Cambrai, when all save His Reverence stepped from the dais to the floor. A herald commanded silence, and the bishop spoke:-- "It is the will of our most gracious lord that I announce to the court the impending marriage of Her Grace, the Princess, Mademoiselle de Burgundy, to the princely Dauphin of France, son to our lord's royal ally, King Louis. His Grace of Burgundy hopes within three weeks to open his campaign against the Swiss, and it is his intention to cause the marriage ceremony to take place before his departure. When the details have been arranged, they will be announced to the court." The bishop had barely stopped speaking when the shutter in the chancel of the ladies' gallery above the throne opened, and a voice rang through the vast audience hall, like the tones of an alarm bell:-- "Make one more announcement, please, my Lord Bishop. Say that if this wondrous ceremony is to come off within three weeks, the Dauphin of France must be content with a dead bride." No one saw the face of the speaker. The shutter closed, and a deep silence fell upon the room. The duke sprang angrily to his feet; his face was like a thunder-cloud. He looked toward the ladies' gallery, and stood for a moment like the incarnation of wrath. A puzzled expression followed the glare of anger; and within a moment he laughed, and waved his hands to the heralds, directing them to cry the rising. The audience was dismissed, and the courtiers left the hall, laughing in imitation of their lord and master. Nothing could be more indicative of cruelty than the laughter that followed the passionate protest of the unhappy princess. To the duke, and of course to his courtiers, the girl's suffering and the fate that was in store for her were mere
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