This is the main stream. This is the
general underlying, world-lifting force. The "life-force," now so glibly
chattered about, finds its fullest expression in motherhood; not in the
emotions of an assistant in the preliminary stages.
What has literature, what has fiction, to offer concerning mother-love,
or even concerning father-love, as compared to this vast volume of
excitement about lover-love? Why is the search-light continually
focussed upon a two or three years space of life "mid the blank miles
round about?" Why indeed, except for the clear reason, that on a starkly
masculine basis this is his one period of overwhelming interest and
excitement.
If the beehive produced literature, the bee's fiction would be rich and
broad; full of the complex tasks of comb-building and filling; the care
and feeding of the young, the guardian-service of the queen; and far
beyond that it would spread to the blue glory of the summer sky, the
fresh winds, the endless beauty and sweetness of a thousand thousand
flowers. It would treat of the vast fecundity of motherhood, the
educative and selective processes of the group-mothers; and the passion
of loyalty, of social service, which holds the hive together.
But if the drones wrote fiction, it would have no subject matter save
the feasting of many; and the nuptial flight, of one.
To the male, as such, this mating instinct is frankly the major interest
of life; even the belligerent instincts are second to it. To the
female, as such, it is for all its intensity, but a passing interest.
In nature's economy, his is but a temporary devotion, hers the slow
processes of life's fulfillment.
In Humanity we have long since, not outgrown, but overgrown, this stage
of feeling. In Human Parentage even the mother's share begins to pale
beside that ever-growing Social love and care, which guards and guides
the children of to-day.
The art of literature in this main form of fiction is far too great a
thing to be wholly governed by one dominant note. As life widened and
intensified, the artist, if great enough, has transcended sex; and in
the mightier works of the real masters, we find fiction treating of
life, life in general, in all its complex relationships, and refusing to
be held longer to the rigid canons of an androcentric past.
This was the power of Balzac--he took in more than this one field. This
was the universal appeal of Dickens; he wrote of people, all kinds of
people, doing
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