3773, 17 (Pl. 24, fig. 9) and the tail, also, in this figure, is only
slightly conventionalized with an upward instead of the natural downward
sweep. In most of the representations, the crest feathers are
indicatd[TN-7] by large plumes, the most anterior of which project
forward. They may be even further modified into three knobs shown in
Dresden 7c (Pl. 24, fig. 1). The two characteristics of the quetzal,
namely its erect head feathers and its extraordinarily long tail
feathers, are often used separately. Thus the tail, which is commonly
drawn with the outer feather of each side strongly curled forward,
appears by itself in Pl. 24, fig. 8, or it may be seen as a plume in the
head-dress of a priest or warrior and in other connections as an
ornament. A greatly conventionalized drawing of the bird is also shown
in Pl. 24, fig. 11, in which the head bears a curious knob and the
dorsal feather of the tail is upcurled in the manner of the other
drawings. It is not at once apparent why the long drooping tail feathers
should be shown thus recurved. Possibly these feathers, when used by the
Mayas for plumes, curled over by their own weight, if held erect, so
that the representations are a compromise between the natural appearance
and that when used as ornament in the head decoration.
[Illustration: FIG. 7.
QUETZAL, TEMPLE OF THE CROSS, PALENQUE.]
The color of the bird and the very long tail feathers have already been
mentioned, and these explain the reason of the importance of this bird
among the Mayas. It is claimed by several old authorities that the
quetzal was reserved for the rulers, and that it was death for any
common person to kill this bird for his own use. It seems from a
statement in Landa (1864, p. 190)[341-*] that birds were domesticated
for the feathers. This bird occurs again and again in various
modifications throughout the Maya art. The feathers of the quetzal are
the ones usually associated with the serpent, making the rebus,
_Quetzalcoatl_, the feathered serpent, the culture hero of the Nahuas,
or _Kukulcan_, which has the same signification among the Mayas. It is
impossible to mention here all the various connections in which the
quetzal appears. The feathers play an important part in the composition
of the head-dresses of the priests and warriors, especially those in the
stone carvings. A quotation has already been given from Landa, showing
the use made of feathers in the dress of the people. Text fig. 7
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