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was gradually losing, too, the faculty of experience, and in his prose and verse repeated the old ideas and emotions, but faintly, as though with fading interest. I am certain that he prayed much, and on those rare days that I came upon him dressed and active before midday or but little after, I concluded that he had been to morning Mass at Farm Street. When with Johnson I had tuned myself to his mood, but Arthur Symons, more than any man I have ever known, could slip as it were into the mind of another, and my thoughts gained in richness and in clearness from his sympathy, nor shall I ever know how much my practice and my theory owe to the passages that he read me from Catullus and from Verlaine and Mallarme. I had read _Axel_ to myself or was still reading it, so slowly, and with so much difficulty, that certain passages had an exaggerated importance, while all remained so obscure that I could without much effort imagine that here at last was the Sacred Book I longed for. An Irish friend of mine lives in a house where beside a little old tower rises a great new Gothic hall and stair, and I have sometimes got him to extinguish all light but a little Roman lamp, and in that faint light and among great vague shadows, blotting away the unmeaning ornament, have imagined myself partaking in some incredible romance. Half-a-dozen times, beginning in boyhood with Shelley's _Prometheus Unbound_, I have in that mood possessed for certain hours or months the book that I long for; and Symons, without ever being false to his own impressionist view of art and of life, deepened as I think my longing. It seems to me, looking backward, that we always discussed life at its most intense moment, that moment which gives a common sacredness to the Song of Songs, and to the Sermon on the Mount, and in which one discovers something supernatural, a stirring as it were of the roots of the hair. He was making those translations from Mallarme and from Verlaine, from Calderon, from St. John of the Cross, which are the most accomplished metrical translations of our time, and I think that those from Mallarme may have given elaborate form to my verses of those years, to the latter poems of _The Wind Among the Reeds_, to _The Shadowy Waters_, while Villiers de L'Isle Adam had shaped whatever in my _Rosa Alchemica_ Pater had not shaped. I can remember the day in Fountain Court when he first read me Herodiade's address to some Sibyl who is her nurse a
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