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Laura became a particular person. In Mary Adams's note book she writes with maternal pride of his fancy for Laura: "It is the only time in Grant's life when he has looked up instead of down for something to love." And the mother sets down a communication from Socrates through the planchette to Amos, declaring that "Love is a sphere center"--a message which doubtless the fond parents worked into tremendous import for their child. Though a communication from some anonymous sage called the Peach Blow Philosopher, who began haunting Amos as a familiar spirit about this time recorded the oracle, also carefully preserved by Mary in her book among the prophecies for Grant that, "Carrots, while less fragrant than roses, are better for the blood." And while the cosmic forces were wrestling with these problems for Grant and Laura, the children were tripping down their early teens all innocent of the uproar they were making among the sages and statesmen and conquerors who flocked about the planchette board for Amos every night. For Laura, Grant carved tiny baskets from peach-pits and coffee beans; for her he saved red apples and candy globes that held in their precious insides gorgeous pictures; for her he combed his hair and washed his neck; for her he scribbled verses wherein eyes met skies, and arts met hearts, and beams met dreams and loves the doves. The joy of first love that comes in early youth--and always it does come then, though it is not always confessed--is a gawky and somewhat guilty joy that spends itself in sighs and blushes and Heaven knows what of self-discovery. Thus Grant in Laura's autograph album after all his versifying on the kitchen table could only write "Truly Yours" and leave her to define the deep significance of the phrase so obviously inverted. And she in his autograph album could only trust herself--though naturally being female she was bolder--to the placid depths of "As ever your friend." Though in lean, hungry-eyed Nathan Perry's book she burst into glowing words of deathless remembrance and Grant wrote in Emma Morton's album fervid stanzas wherein "you" rimed with "the wandering Jew" and "me" with "eternity." At school where the subtle wisdom of childhood reads many things not writ in books, the names of Grant and Laura were linked together, in the innocent gossip of that world. They say that modern thought deems these youthful experiences dangerous and superfluous; and so probably they will
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