but the exulting, reverent, and grateful perception of it I call
theoria. For this, and this only, is the full comprehension and
contemplation of the beautiful as a gift of God, a gift not necessary to
our being, but added to, and elevating it, and twofold, first of the
desire, and secondly of the thing desired.
Sec. 7. How the lower pleasures may be elevated in rank.
And that this joyfulness and reverence are a necessary part of theoretic
pleasure is very evident when we consider that, by the presence of these
feelings, even the lower and more sensual pleasures may be rendered
theoretic. Thus Aristotle has subtly noted, that "we call not men
intemperate so much with respect to the scents of roses or herb-perfumes
as of ointments and of condiments," (though the reason that he gives for
this be futile enough.) For the fact is, that of scents artificially
prepared the extreme desire is intemperance, but of natural and
God-given scents, which take their part in the harmony and pleasantness
of creation, there can hardly be intemperance; not that there is any
absolute difference between the two kinds, but that these are likely to
be received with gratitude and joyfulness rather than those, so that we
despise the seeking of essences and unguents, but not the sowing of
violets along our garden banks. But all things may be elevated by
affection, as the spikenard of Mary, and in the Song of Solomon, the
myrrh upon the handles of the lock, and that of Isaac concerning his
son. And the general law for all these pleasures is, that when sought in
the abstract and ardently, they are foul things, but when received with
thankfulness and with reference to God's glory, they become theoretic;
and so I can find something divine in the sweetness of wild fruits, as
well as in the pleasantness of the pure air, and the tenderness of its
natural perfumes that come and go as they list.
Sec. 8. Ideas of beauty how essentially moral.
It will be understood why I formerly said in the chapter respecting
ideas of beauty, that those ideas were the subject of moral and not of
intellectual, nor altogether of sensual perception; and why I spoke of
the pleasures connected with them as derived from "those material
sources which are agreeable to our moral nature in its purity and
perfection." For, as it is necessary to the existence of an idea of
beauty, that the sensual pleasure which may be its basis, should be
accompanied first with joy, then
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