y
such inquiries until we have concluded our detailed observation of the
beauty of visible nature; and I shall therefore at present take notice
only of one or two broad principles, which were referred to, or implied,
in the chapter respecting the human ideal, and without the enunciation
of which, that chapter might lead to false conclusions.
Sec. 2. The conceivable modes of manifestation of Spiritual Beings are
four.
There are four ways in which beings supernatural may be conceived as
manifesting themselves to human sense. The first, by external types,
signs, or influences; as God to Moses in the flames of the bush, and to
Elijah in the voice of Horeb.
The second, by the assuming of a form not properly belonging to them; as
the Holy Spirit of that of a Dove, the second person of the Trinity of
that of a Lamb; and so such manifestations, under angelic or other form,
of the first person of the Trinity, as seem to have been made to
Abraham, Moses, and Ezekiel.
The third, by the manifestation of a form properly belonging to them,
but not necessarily seen; as of the Risen Christ to his disciples when
the doors were shut. And the fourth, by their operation on the human
form, which they influence or inspire, as in the shining of the face of
Moses.
Sec. 3. And these are in or through creature forms familiar to us.
It is evident that in all these cases, wherever there is form at all, it
is the form of some creature to us known. It is no new form peculiar to
spirit nor can it be. We can conceive of none. Our inquiry is simply,
therefore, by what modifications those creature forms to us known, as of
a lamb, a bird, or a human creature, may be explained as signs or
habitations of Divinity, or of angelic essence, and not creatures such
as they seem.
Sec. 4. Supernatural character may be impressed on these either by
phenomena inconsistent with their common nature, (compare chap.
4, Sec. 16).
This may be done in two ways. First, by effecting some change in the
appearance of the creature inconsistent with its actual nature, as by
giving it colossal size, or unnatural color, or material, as of gold, or
silver, or flame, instead of flesh, or by taking away its property of
matter altogether, and forming it of light or shade, or in an
intermediate step, of cloud, or vapor; or explaining it by terrible
concomitant circumstances, as of wounds in the body, or strange lights
and seemings round abou
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