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igns of sin upon the countenance and body. How, therefore, are the signs of sin to be known and separated? Sec. 17. Ideal form to be reached only by love. No intellectual operation is here of any avail. There is not any reasoning by which the evidences of depravity are to be traced in movements of muscle or forms of feature; there is not any knowledge, nor experience, nor diligence of comparison that can be of avail. Here, as throughout the operation of the theoretic faculty, the perception is altogether moral, an instinctive love and clinging to the lines of light. Nothing but love can read the letters, nothing but sympathy catch the sound, there is no pure passion that can be understood or painted except by pureness of heart; the foul or blunt feeling will see itself in everything, and set down blasphemies; it will see Beelzebub in the casting out of devils, it will find its god of flies in every alabaster box of precious ointment. The indignation of zeal towards God (nemesis) it will take for anger against man, faith and veneration it will miss of, as not comprehending, charity it will turn into lust, compassion into pride, every virtue it will go over against, like Shimei, casting dust. But the right Christian mind will in like manner find its own image wherever it exists, it will seek for what it loves, and draw it out of all dens and caves, and it will believe in its being, often when it cannot see it, and always turn away its eyes from beholding vanity; and so it will lie lovingly over all the faults and rough places of the human heart, as the snow from heaven does over the hard, and black, and broken mountain rocks, following their forms truly, and yet catching light for them to make them fair, and that must be a steep and unkindly crag indeed which it cannot cover. Sec. 18. Practical principles deducible. Now of this spirit there will always be little enough in the world, and it cannot be given nor taught by men, and so it is of little use to insist on it farther, only I may note some practical points respecting the ideal treatment of human form, which may be of use in these thoughtless days. There is not the face, I have said, which the painter may not make ideal if he choose, but that subtile feeling which shall find out all of good that there is in any given countenance is not, except by concern for other things than art, to be acquired. But certain broad indications of evil there are which the bl
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