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their kind, and while they bear no resemblance to those of Cowper, Burns, Byron, or Mackintosh, they are on that very account a positive addition to the literature of epistolary composition. Few biographies have been published within a century calculated to make so deep an impression as this of Dr. Channing, and few could have admitted the reader to so close a communion with the subject, without sacrificing that delicacy in the treatment of frailties due to the character of the departed. _Napoleon and the Marshals of the Empire. Philadelphia: Carey & Hart. 2 vols. 12mo._ The present work is to some extent an attempt "to head" Mr. Headley. For our part, we profess to have as much patience as any of the descendants of Job, but we must acknowledge that we have broken down in every effort to master the merits of the quarrel between the publishers of the present volumes and the Author of Napoleon and his Marshals. Accordingly we can give no opinion on that matter. In respect to the value of the volumes under consideration, as compared with a similar work by Mr. Headley, there can be little hesitation of judgment. It is idle to say, as some have said, that a work which has run through fifteen editions, as Mr. Headley's has done, is a mere humbug. On the contrary, it is a book evincing a mind as shrewd as it is strong, aiming, it is true, rather at popularity than excellence, but obtaining the former by possessing the sagacity to perceive that accounts of battles, to be generally apprehended, must be addressed to the eye and blood rather than to the understanding; and this power of producing vivid pictures of events Mr. Headley has in large measure. Hence the success of his book, in spite of its exaggerations of statement, sentiment and language. The present work evinces a merit of another kind. It is a keen, accurate, well-written production, devoid of all tumult in its style and all exaggeration in its matter, and giving close and consistent expositions of the characters, and a clear narrative of the lives, of Napoleon and his Marshals. It is evidently the work of a person who understands military operations, and conveys a large amount of knowledge which we have seen in no other single production on the subject of the wars springing out of the French Revolution. The portraits of fifteen of the marshals, in military costume, are very well executed. The portion of the work devoted to Napoleon, about one
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