ile he was painting miniatures. A
nobleman once came into his studio while he was painting a lady, and was
promptly thrown downstairs, like Daddy Longlegs of immortal fame.
The King, Henry VIII., heard of it, but sympathised with the painter.
"Of seven peasants I can make as many lords, but not one Holbein," he
said.
King Henry had a special reason for this sympathy. When he heard of a
pretty woman he sent Holbein to paint her, with a view to making her his
wife. On one occasion, at least, a flattering miniature led its unhappy
subject into trouble--Anne of Cleves.
[Illustration: MRS. C. L. SHAND. _By Edith Maas._]
A word should be said about the origin of the miniature. In the first
instance the word had nothing to do with the size of a painting. It
comes from the Latin word _minium_, or red lead. In old days the
capitals of illuminated missals were painted with this by great artists,
while the less important work was done by minor ones. Thus the
_miniatura_ meant the picture painted by the great artist. The word
miniature, in its present sense, was born in the 18th century, which was
the best period of British miniature painting.
The material on which miniatures have been painted has varied from time
to time. To-day ivory cut very thin is almost invariably used.
The elephant is not a graceful or artistic beast, and no particularly
sentimental thoughts at first sight attach to him. But artists to-day
would be at a loss without his tusks, and much sentiment is lavished on
them in the form of lovers' portraits.
While love lasts the miniature will always be in vogue, for artists
frankly admit that it is so convenient to carry in the pocket. It
represents so much in so little. Miniature painting is especially
therefore "the lovers' art." Some say that it makes the subject
"beautiful for ever," and what more could Romeo want?
Ivory, however, is of comparatively modern use in the art world and the
studio. Vellum, gold, silver, and enamel were the things on which
miniatures were painted before the days of ivory.
The prices of these dainty pictures vary enormously. As much as L3,000
was paid for one in the Hamilton collection, while another in a diamond
setting sold at Christie's for L2,000. Nowadays, L5 to L100 is easily
obtained, according to the skill of the painter.
Her Majesty the Queen is a great collector of miniatures. Her collection
at Windsor is of great historic as well as financial value. She h
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