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advisable, however, unless one has a very sure hand--otherwise it is apt to prove an expensive experiment. Grows in great variety. In fact, it is seldom a grower can produce three alike, and if an enthusiast can show four of a kind it is something to be remembered--sometimes with sorrow. Should be taken in early or they will freeze out and die. Do not touch with cold hands. A Word at Parting GENTLE READER:-- In bringing out this little book we feel that we are doing a great service. We know it is needed; the world has needed it for a long time. Adam, even, might have been a better gardener had this book been available. Who can say? Perhaps he would not have had to give up the old farm and move away, had he had this Almanac to guide him. And then there are Hero and Leander, Paris and Helen, Abelard and Heloise, Paolo and Francesca, and so many, many others--how different it might all have been had we only published this little book a few thousand years ago! We are filled with regret. The one consoling thought is that we are better fitted for the work now. We are older and we think wiser. From time to time, as we see the need, we shall issue new volumes of Cupid's Almanac, thoroughly revised and up to date on all matters pertaining to Hearticulture and its kindred pursuits. We thank you, Generous Reader, for your patience and your patronage. And beg to remain, Faithfully, Your humble servants, THE AUTHORS. The Riverside Press CAMBRIDGE. MASSACHUSETTS U. S. A. End of the Project Gutenberg EBook of Cupid's Almanac and Guide to Hearticulture for This Year and Next, by John Cecil Clay and Oliver Herford *** END OF THIS PROJECT GUTENBERG EBOOK CUPID'S ALMANAC *** ***** This file should be named 23681.txt or 23681.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/6/8/23681/ Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it
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