FREE BOOKS

Author's List




PREV.   NEXT  
|<   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255  
256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   >>   >|  
as interesting to note how the sculptors of those images caught, in a rudimentary way, the character of the subjects represented. This was chiefly remarkable in the footprints of birds and other animals, such as deer. They seemed particularly fond of representing deer-horns--sometimes with double lines at an angle. That was possibly to commemorate hunting expeditions. A frequent subject of decoration was a crude representation of the female organ; and one a magnified resemblance, angularly drawn, of an Indian male organ garbed in its typical decoration. [Illustration: Weird Lunar Effect witnessed by Author.] The face of the rock was absolutely covered with drawings, many being mere reproductions of the same design. Some were so rudimentary that they were absolutely impossible to identify. One fact was certain, that those carvings had been made by men who were trackers by nature and who observed chiefly what they noticed on the ground, instead of around and above them. Thus, there were no representations whatever of foliage or trees, no attempts at reproducing birds, or the sun, the moon, the stars. The most interesting of all, from an ethnological point of view, were the geometrical designs. They closely resembled the incised lines and punch-marks of the Australian aborigines, and the patterns common in Polynesia. Concentric circles--of more or less perfection--were common, some with a central cross of three and four parallel lines. Coils seemed beyond the drawing powers of Indian artists. Ovals, triangles, squares, the Egyptian cross (T-shaped), series of detached circles (these generally enclosed within a triangle, quadrangle or lozenge) were frequent. Even more frequent were the parallel incised lines, generally used as subsidiary filling or shading of other patterns, such as concentric circles, or sections of triangles or squares. It may be noted that a certain intelligence was displayed by the artist in dividing circles fairly accurately into four and eight sections, the diameters intersecting pretty well in the centre of the circles. One pattern which seemed to take their fancy was that of an oval or a circle with a number of dots inside. In examining the cave closely, inside and outside, I also found upon the wall, which was simply covered with those images, some curious marks resembling the letters H P, A P, and W [Symbol: pyramid sign; 2 concentric triangles], which seemed of a more recent date--perhap
PREV.   NEXT  
|<   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255  
256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   >>   >|  



Top keywords:

circles

 

frequent

 

triangles

 

decoration

 
Indian
 

absolutely

 

covered

 

common

 
generally
 

squares


parallel
 
concentric
 

sections

 

inside

 

incised

 

closely

 

patterns

 

rudimentary

 

interesting

 

images


chiefly
 

enclosed

 

triangle

 

detached

 

quadrangle

 

caught

 
filling
 
sculptors
 

shading

 
series

subsidiary

 

lozenge

 
Egyptian
 

represented

 

subjects

 
central
 
remarkable
 

perfection

 

character

 

artists


drawing

 

powers

 

shaped

 
displayed
 

simply

 
curious
 

examining

 

resembling

 

letters

 
recent