oth because his declamatory style is more out of place in
its romantic narrative, and because he was weary and languid, and glad
to turn his fame to account without more labour than necessary. The
Odyssey, I may say, in conclusion, led to one incidental advantage. It
was criticized by Spence, a mild and cultivated scholar, who was
professor of poetry at Oxford. His observations, according to Johnson,
were candid, though not indicative of a powerful mind. Pope, he adds,
had in Spence, the first experience of a critic "who censured with
respect and praised with alacrity." Pope made Spence's acquaintance,
recommended him to patrons, and was repaid by warm admiration.
FOOTNOTES:
[6] See Elwin's Pope, Correspondence, vol. iii. p. 129.
CHAPTER IV.
POPE AT TWICKENHAM.
When Pope finished his translation of the Iliad, he was congratulated by
his friend Gay in a pleasant copy of verses marked by the usual
_bonhomie_ of the fat kindly man. Gay supposes himself to be welcoming
his friend on the return from his long expedition.
Did I not see thee when thou first sett'st sail,
To seek adventures fair in Homer's land?
Did I not see thy sinking spirits fail,
And wish thy bark had never left the strand?
Even in mid ocean often didst thou quail,
And oft lift up thy holy eye and hand,
Praying to virgin dear and saintly choir
Back to the port to bring thy bark entire.
And now the bark is sailing up the Thames, with bells ringing, bonfires
blazing, and "bones and cleavers" clashing. So splendid a show suggests
Lord Mayor's Day, but in fact it is only the crowd of Pope's friends
come to welcome him on his successful achievement; and a long catalogue
follows, in which each is indicated by some appropriate epithet. The
list includes some doubtful sympathizers, such as Gildon, who comes
"hearing thou hast riches," and even Dennis, who in fact continued to
growl out criticisms against the triumphant poet. Steele, too, and
Tickell,--
Whose skiff (in partnership they say)
Set forth for Greece but founder'd on the way,
would not applaud very cordially. Addison, their common hero, was beyond
the reach of satire or praise. Parnell, who had contributed a life of
Homer, died in 1718; and Rowe and Garth, sound Whigs, but friends and
often boon companions of the little papist, had followed. Swift was
breathing "Boeotian air" in his deanery, and St. John was "conf
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