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oth because his declamatory style is more out of place in its romantic narrative, and because he was weary and languid, and glad to turn his fame to account without more labour than necessary. The Odyssey, I may say, in conclusion, led to one incidental advantage. It was criticized by Spence, a mild and cultivated scholar, who was professor of poetry at Oxford. His observations, according to Johnson, were candid, though not indicative of a powerful mind. Pope, he adds, had in Spence, the first experience of a critic "who censured with respect and praised with alacrity." Pope made Spence's acquaintance, recommended him to patrons, and was repaid by warm admiration. FOOTNOTES: [6] See Elwin's Pope, Correspondence, vol. iii. p. 129. CHAPTER IV. POPE AT TWICKENHAM. When Pope finished his translation of the Iliad, he was congratulated by his friend Gay in a pleasant copy of verses marked by the usual _bonhomie_ of the fat kindly man. Gay supposes himself to be welcoming his friend on the return from his long expedition. Did I not see thee when thou first sett'st sail, To seek adventures fair in Homer's land? Did I not see thy sinking spirits fail, And wish thy bark had never left the strand? Even in mid ocean often didst thou quail, And oft lift up thy holy eye and hand, Praying to virgin dear and saintly choir Back to the port to bring thy bark entire. And now the bark is sailing up the Thames, with bells ringing, bonfires blazing, and "bones and cleavers" clashing. So splendid a show suggests Lord Mayor's Day, but in fact it is only the crowd of Pope's friends come to welcome him on his successful achievement; and a long catalogue follows, in which each is indicated by some appropriate epithet. The list includes some doubtful sympathizers, such as Gildon, who comes "hearing thou hast riches," and even Dennis, who in fact continued to growl out criticisms against the triumphant poet. Steele, too, and Tickell,-- Whose skiff (in partnership they say) Set forth for Greece but founder'd on the way, would not applaud very cordially. Addison, their common hero, was beyond the reach of satire or praise. Parnell, who had contributed a life of Homer, died in 1718; and Rowe and Garth, sound Whigs, but friends and often boon companions of the little papist, had followed. Swift was breathing "Boeotian air" in his deanery, and St. John was "conf
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