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the programme was Beethoven's Seventh Symphony. This work, as is well known, is rather long, and so, at the end of the third movement, I turned and looked at Barber to see if he was asleep. But his eyes were wide open, feverish, almost glaring; he was twining and untwining his fingers and muttering excitedly. Throughout the fourth movement he continued to talk incoherently. "Shut up!" I whispered fiercely. "Just see if you can't keep quiet, or we shall be put out." I was indeed very much annoyed, and some people near by were turning in their chairs and frowning.-- I do not know whether he heard what I said: I had no chance to talk to him. The applause had hardly died away at the end of the symphony when a singer appeared on the stage. Who he was, or what music he sang, I am utterly unable to say; but if he is still alive it is impossible that he should have forgotten what I relate. If I do not remember him, it is because all else is swallowed up for me in that extraordinary event. Scarcely had the orchestra ceased preluding and the singer brought out the first notes of his song, than Barber slowly rose from his seat. "That man is not an artist," he said in a loud and perfectly final voice, "I will sing myself." "Sit down, for God's sake!--The management--the police"-- Some words like these I gasped, foreseeing the terrible scandal which would ensue, and I caught him by the arm. But he shook himself free without any difficulty, without even a glance at me, and walked up the aisle and across the front of the house toward the little stairs at the side which led up to the platform. By this time the entire audience was aware that something untoward was happening. There were a few cries of "Sit down! Put him out!" An usher hastened up as Barber was about to mount the steps. Then a strange thing happened. As the usher drew near, crying out angrily, I saw Barber turn and look at him. It was not, as I remember, a fixed look or a determined look; it was the kind of untroubled careless glance a man might cast over his shoulder who heard a dog bark. I saw the usher pause, grow pale and shamefaced feel like a servant who has made a mistake; he made a profound bow and then--yes, he actually dropped on his knees. All the people saw that. They saw Barber mount the platform, the musicians cease, the singer and the conductor give way before him. But never a word was said--there was a perfect hush. And yet, so far as m
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