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Indian or some other lingo. He only realized that Hank's presence, thrust thus between them, was welcome--uncommonly welcome. Dr. Cathcart, though more calmly and leisurely, advanced behind him, heavily stumbling. Simpson seems hazy as to what was actually said and done in those next few seconds, for the eyes of that detestable and blasted visage peering at such close quarters into his own utterly bewildered his senses at first. He merely stood still. He said nothing. He had not the trained will of the older men that forced them into action in defiance of all emotional stress. He watched them moving as behind a glass that half destroyed their reality; it was dreamlike; perverted. Yet, through the torrent of Hank's meaningless phrases, he remembers hearing his uncle's tone of authority--hard and forced--saying several things about food and warmth, blankets, whisky and the rest ... and, further, that whiffs of that penetrating, unaccustomed odor, vile yet sweetly bewildering, assailed his nostrils during all that followed. It was no less a person than himself, however--less experienced and adroit than the others though he was--who gave instinctive utterance to the sentence that brought a measure of relief into the ghastly situation by expressing the doubt and thought in each one's heart. "It _is_--YOU, isn't it, Defago?" he asked under his breath, horror breaking his speech. And at once Cathcart burst out with the loud answer before the other had time to move his lips. "Of course it is! Of course it is! Only--can't you see--he's nearly dead with exhaustion, cold and terror! Isn't _that_ enough to change a man beyond all recognition?" It was said in order to convince himself as much as to convince the others. The overemphasis alone proved that. And continually, while he spoke and acted, he held a handkerchief to his nose. That odor pervaded the whole camp. For the "Defago" who sat huddled by the big fire, wrapped in blankets, drinking hot whisky and holding food in wasted hands, was no more like the guide they had last seen alive than the picture of a man of sixty is like a daguerreotype of his early youth in the costume of another generation. Nothing really can describe that ghastly caricature, that parody, masquerading there in the firelight as Defago. From the ruins of the dark and awful memories he still retains, Simpson declares that the face was more animal than human, the features drawn about into wrong p
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