FREE BOOKS

Author's List




PREV.   NEXT  
|<   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156  
157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   >>   >|  
e feet against the side of the old well on which she was sitting. "A wedding! what connection subsists, pray, between the bonds of matrimony, and a tune on the bagpipes?" "I don't know what you mean by bagpipes--I only know that when people get married in the country, they go about with the musicians playing before them. What you hear yonder is a violin and a _cornemuse_." "A _cornemuse!_" I repeated. "What's that?" "Oh, country music. A thing you blow into with your mouth, and play upon with your fingers, and squeeze under your arm--like this." "Then it's the same thing, _ma chere_," said I. "A bagpipes and a _cornemuse_--a _cornemuse_ and bagpipes. Both of them national, popular, and frightful." "I'm so fond of music," said Josephine. Not wishing to object to her tastes, and believing that this observation related to the music then audible, I made no reply. "And I have never been to an opera," added she. I was still silent, though from another motive. "You will take me one night to the Italiens, or the Opera Comique, will you not, Monsieur Basil?" pursued she, determined not to lose her opportunity. I had now no resource but to promise; which I did, very reluctantly. "You would enjoy the Opera Comique far more than the Italiens," said I, remembering that Madame de Marignan had a box at the Italiens, and rapidly weighing the chances for and against the possibility of recognition. "At the first they sing in French--at the last, in Italian," "Ah, bah! I should prefer the French," replied she, falling at once into the snare. "When shall it be--this week?" "Ye--es; one evening this week." "What evening?" "Well, let me see--we had better wait, and consult the advertisements." "_Dame_! never mind the advertisements. Let it be Tuesday." "Why Tuesday?" "Because it is soon; and because I can get away early on Tuesdays if I ask leave." I had, plainly, no chance of escape. "You would not prefer to see the great military piece at the Porte St. Martin?" I suggested. "There are three hundred real soldiers in it, and they fire real cannon." "Not I! I have been to the Porte St. Martin, over and over again. Emile knew one of the scene-painter's assistants, and used to get tickets two or three times a month." "Then it shall be the Opera Comique," said I, with a sigh. "And on Tuesday evening next." "On Tuesday evening next." At this moment the piping and fiddling broke out afres
PREV.   NEXT  
|<   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156  
157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   >>   >|  



Top keywords:
cornemuse
 
evening
 
Tuesday
 

bagpipes

 
Comique
 

Italiens

 
Martin
 
advertisements
 

prefer

 

French


country

 
moment
 

piping

 

replied

 

possibility

 
recognition
 

chances

 

rapidly

 

weighing

 

fiddling


Italian

 

falling

 

military

 

escape

 

chance

 

plainly

 

hundred

 

soldiers

 
suggested
 
Tuesdays

assistants

 
cannon
 

tickets

 

painter

 

Because

 

consult

 

fingers

 

squeeze

 

subsists

 

Josephine


wishing

 
frightful
 

national

 

popular

 

musicians

 
playing
 
people
 

married

 

matrimony

 
repeated