he day
advances, the English, in white hats and white pantaloons, come out of
their lodgings, accompanied sometimes by their hale and square-built
spouses, and saunter stiffly along the Arno, or take their way to the
public galleries and museums. Their massive, clean, and brightly-polished
carriages also begin to rattle through the streets, setting out on
excursions to some part of the environs of Florence--to Fiesole, to the
Pratolino, to the Bello Sguardo, to the Poggio Imperiale. Sights of a
different kind now present themselves. Sometimes it is a troop of stout
Franciscan friars, in sandals and brown robes, each carrying his staff and
wearing a brown broad-brimmed hat with a hemispherical crown. Sometimes it
is a band of young theological students, in purple cassocks with red
collars and cuffs, let out on a holiday, attended by their clerical
instructors, to ramble in the Cascine. There is a priest coming over the
bridge, a man of venerable age and great reputation for sanctity--the
common people crowd around him to kiss his hand, and obtain a kind word
from him as he passes. But what is that procession of men in black gowns,
black gaiters, and black masks, moving swiftly along, and bearing on their
shoulders a litter covered with black cloth? These are the _Brethren of
Mercy_, who have assembled at the sound of the cathedral bell, and are
conveying some sick or wounded person to the hospital. As the day begins
to decline, the numbers of carriages in the streets, filled with
gaily-dressed people attended by servants in livery, increases. The Grand
Duke's equipage, an elegant carriage drawn by six horses, with coachmen,
footmen, and outriders in drab-colored livery, comes from the Pitti
Palace, and crosses the Arno, either by the bridge close to my lodgings,
or by that called _Alla Santa Trinita_, which is in full sight from the
windows. The Florentine nobility, with their families, and the English
residents, now throng to the Cascine, to drive at a slow pace through its
thickly-planted walks of elms, oaks, and ilexes. As the sun is sinking I
perceive the Quay, on the other side of the Arno, filled with a moving
crowd of well-dressed people, walking to and fro, and enjoying the beauty
of the evening. Travellers now arrive from all quarters, in cabriolets, in
calashes, in the shabby _vettura_, and in the elegant private carriage
drawn by post-horses, and driven by postillions in the tightest possible
deer-skin breeches,