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large four-story brick building, that has so stood for about three-quarters of a century. Its rooms are rented to a class of persons occupying them simply for lack of activity to find better and cheaper quarters elsewhere. With its gray stucco peeling off in broad patches, it has a solemn look of gentility in rags, and stands, or, as it were, hangs, about the corner of two ancient streets, like a faded fop who pretends to be looking for employment. Under its main archway is a dingy apothecary-shop. On one street is the bazaar of a _modiste en robes et chapeaux_ and other humble shops; on the other, the immense batten doors with gratings over the lintels, barred and bolted with masses of cobwebbed iron, like the door of a donjon, are overhung by a creaking sign (left by the sheriff), on which is faintly discernible the mention of wines and liquors. A peep through one of the shops reveals a square court within, hung with many lines of wet clothes, its sides hugged by rotten staircases that seem vainly trying to clamber out of the rubbish. The neighborhood is one long since given up to fifth-rate shops, whose masters and mistresses display such enticing mottoes as "_Au gagne petit!_" Innumerable children swarm about, and, by some charm of the place, are not run over, but obstruct the sidewalks playing their clamorous games. The building is a thing of many windows, where passably good-looking women appear and disappear, clad in cotton gowns, watering little outside shelves of flowers and cacti, or hanging canaries' cages. Their husbands are keepers in wine-warehouses, rent-collectors for the agents of old Frenchmen who have been laid up to dry in Paris, custom-house supernumeraries and court-clerks' deputies (for your second-rate Creole is a great seeker for little offices). A decaying cornice hangs over, dropping bits of mortar on passers below, like a boy at a boarding-house. The landlord is one Kookoo, an ancient Creole of doubtful purity of blood, who in his landlordly old age takes all suggestions of repairs as personal insults. He was but a stripling when his father left him this inheritance, and has grown old and wrinkled and brown, a sort of periodically animate mummy, in the business. He smokes cascarilla, wears velveteen, and is as punctual as an executioner. To Kookoo's venerable property a certain old man used for many years to come every evening, stumbling through the groups of prattling children wh
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