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the triumphal ornaments, even before his expedition, and sometimes the breast-plate of Alexander the Great, taken out of his coffin. [457] LIII. With regard to the liberal sciences, he was little conversant in philology, but applied himself with assiduity to the study of eloquence, being indeed in point of enunciation tolerably elegant and ready; and in his perorations, when he was moved to anger, there was an abundant flow of words and periods. In speaking, his action was vehement, and his voice so strong, that he was heard at a great distance. When winding up an harangue, he threatened to draw "the sword of his lucubration," holding a loose and smooth style in such contempt, that he said Seneca, who was then much admired, "wrote only detached essays," and that "his language was nothing but sand without lime." He often wrote answers to the speeches of successful orators; and employed himself in composing accusations or vindications of eminent persons, who were impeached before the senate; and gave his vote for or against the party accused, according to his success in speaking, inviting the equestrian order, by proclamation, to hear him. LIV. He also zealously applied himself to the practice of several other arts of different kinds, such as fencing, charioteering, singing, and dancing. In the first of these, he practised with the weapons used in war; and drove the chariot in circuses built in several places. He was so extremely fond of singing and dancing, that he could not refrain in the theatre from singing with the tragedians, and imitating the gestures of the actors, either by way of applause or correction. A night exhibition which he had ordered the day he was slain, was thought to be intended for no other reason, than to take the opportunity afforded by the licentiousness of the season, to make his first appearance upon the stage. Sometimes, also, (288) he danced in the night. Summoning once to the Palatium, in the second watch of the night [458], three men of consular rank, who feared the words from the message, he placed them on the proscenium of the stage, and then suddenly came bursting out, with a loud noise of flutes and castanets [459], dressed in a mantle and tunic reaching down to his heels. Having danced out a song, he retired. Yet he who had acquired such dexterity in other exercises, never learnt to swim. LV. Those for whom he once conceived a regard, he favoured even to madness. He
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