d Mulligan.

Fabulous artificer. The hawklike man. You flew. Whereto?
Newhaven-Dieppe, steerage passenger. Paris and back. Lapwing. Icarus.
_Pater, ait._ Seabedabbled, fallen, weltering. Lapwing you are. Lapwing
be.

Mr Best eagerquietly lifted his book to say:

--That's very interesting because that brother motive, don't you know,
we find also in the old Irish myths. Just what you say. The three
brothers Shakespeare. In Grimm too, don't you know, the fairytales. The
third brother that always marries the sleeping beauty and wins the best
prize.

Best of Best brothers. Good, better, best.

The quaker librarian springhalted near.

--I should like to know, he said, which brother you... I understand you
to suggest there was misconduct with one of the brothers... But perhaps
I am anticipating?

He caught himself in the act: looked at all: refrained.

An attendant from the doorway called:

--Mr Lyster! Father Dineen wants...

--O, Father Dineen! Directly.

Swiftly rectly creaking rectly rectly he was rectly gone.

John Eglinton touched the foil.

--Come, he said. Let us hear what you have to say of Richard and Edmund.
You kept them for the last, didn't you?

--In asking you to remember those two noble kinsmen nuncle Richie and
nuncle Edmund, Stephen answered, I feel I am asking too much perhaps. A
brother is as easily forgotten as an umbrella.

Lapwing.

Where is your brother? Apothecaries' hall. My whetstone. Him, then
Cranly, Mulligan: now these. Speech, speech. But act. Act speech. They
mock to try you. Act. Be acted on.

Lapwing.

I am tired of my voice, the voice of Esau. My kingdom for a drink.

On.

--You will say those names were already in the chronicles from which he
took the stuff of his plays. Why did he take them rather than others?
Richard, a whoreson crookback, misbegotten, makes love to a widowed Ann
(what's in a name?), woos and wins her, a whoreson merry widow. Richard
the conqueror, third brother, came after William the conquered. The
other four acts of that play hang limply from that first. Of all his
kings Richard is the only king unshielded by Shakespeare's reverence,
the angel of the world. Why is the underplot of _King Lear_ in which
Edmund figures lifted out of Sidney's _Arcadia_ and spatchcocked on to a
Celtic legend older than history?

--That was Will's way, John Eglinton defended. We should not now combine
a Norse saga with an excerpt from a novel by George Meredith. _