e use of fighting when defeat was certain?
She, too, felt that she was powerless, and with heartfelt sorrow came to
a decision.
"Come, I see that I must make up my mind to be grandmother to little
princes. It pleases me but little on the father's account. My daughter
will have a sad lot with a fellow of that kind. Well, he had better keep
in the right path; for I shall be there to call him to order. Micheline
must be happy. When my husband was alive, I was already more of a mother
than a wife; now my whole life is wrapped up in my daughter."
Then raising her vigorous arms with grim energy, she added:
"Do you know, if my daughter were made miserable through her husband, I
should be capable of killing him."
These were the last words of the interview which decided the destiny
of Micheline, of the Prince, of Madame Desvarennes, and of Pierre. The
mistress stretched out her hand and rang the bell. A servant appeared,
to whom she gave instructions to tell Marechal to come down. She thought
it would be pleasant for Pierre to pour out his griefs into the heart of
his friend. A man weeps with difficulty before a woman, and she guessed
that the young man's heart was swollen with tears. Marechal was not far
off. He arrived in a moment, and springing toward Pierre put his arms
round his neck. When Madame Desvarennes saw the two friends fully
engrossed with each other, she said to Marechal:
"I give you leave until this evening. Then bring Pierre back with you; I
wish to see him after dinner."
And with a firm step she went toward Micheline's room, where the latter
was waiting in fear to know the result of the interview.
CHAPTER VI. A SIGNIFICANT MEETING
The mansion in the Rue Saint-Dominique is certainly one of the finest
to be seen. Sovereigns alone have more sumptuous palaces. The wide
staircase, of carved oak, is bordered by a bronze balustrade, made by
Ghirlandajo, and brought from Florence by Sommervieux, the great dealer
in curiosities. Baron Rothschild would consent to give only a hundred
thousand francs for it. Madame Desvarennes bought it. The large panels
of the staircase are hung with splendid tapestry, from designs by
Boucher, representing the different metamorphoses of Jupiter. At each
landing-place stands a massive Japanese vase of 'claisonne' enamel,
supported by a tripod of Chinese bronze, representing chimeras. On the
first floor, tall columns of red granite, crowned by gilt capitals,
divide th
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