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courtesan Sleep bestowing her favours illicitly wherein she would but choose. PONDICHERRY Chess pieces resting upon the jade mantle piece see sampans move quietly thru warm night, rich bundles of bougainvillea crowd market squares where deck chairs extend to the Persian Gulf. Leisured gentlemen finger walking canes, hold eyelids thick as goblets, sharp tridents beside private lairs. Skin in puffy whiteness bulges under lamp's white glare, becomes copra gathered miles from Pondicherry, sesame oil in rotting casks. And the Indian heat, closing with certitude akin to the trance of the snake charmer, holds his flute poised with the Bengali lancer riding a slow crop over the prostrate polo ball. MANGROVES How do you survive in the mangrove swamps-- amid the twitchings of foetid water & lice thick as baby tears? How, with all the wallow of thick muck making suction noises and the teams in relays searching nightly with baited hounds, do you pull free? Your bamboo pole knows every ploy but a slender craft ill-equipped to sparring blows from every quarter the undergrowth necessitates. The closeness of the clammy night heaved about like so much rotting fruit will draw the ants ... devouring like that abundance of cold yellow eye-- the firefly swarms that mock your heavy steel machete arm. Across the drift of darkness and the insect life you bat in swarms, the ultimate danger is not in the cayman giant or his reptilian cousin named of copper wire, the anaconda, or even mindless holes, thick black ooze that throttles a victim ... but two legged form coming, searching ... a spectre on hind quarters with a bolo knife stepping free of that beaded circle, the inner camp. The End End of Project Gutenberg's The Rake's Progress, by Paul Cameron Brown *** END OF THIS PROJECT GUTENBERG EBOOK THE RAKE'S PROGRESS *** ***** This file should be named 31515.txt or 31515.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/5/1/31515/ Produced by Sorour Imani. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so t
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