at hung swinging in the church choir, and tossed the
shadows to and fro in time to its oscillations. The clock was hard on
ten when the patrol went by with halberds and a lantern, beating their
hands; and they saw nothing suspicious about the cemetery of St. John.

Yet there was a small house, backed up against the cemetery wall, which
was still awake, and awake to evil purpose, in that snoring district.
There was not much to betray it from without; only a stream of warm
vapour from the chimney-top, a patch where the snow melted on the roof,
and a few half-obliterated footprints at the door. But within, behind
the shuttered windows, Master Francis Villon the poet, and some of the
thievish crew with whom he consorted, were keeping the night alive and
passing round the bottle.

A great pile of living embers diffused a strong and ruddy glow from the
arched chimney. Before this straddled Dom Nicolas, the Picardy monk,
with his skirts picked up and his fat legs bared to the comfortable
warmth. His dilated shadow cut the room in half; and the firelight only
escaped on either side of his broad person, and in a little pool between
his outspread feet. His face had the beery, bruised appearance of the
continual drinker's; it was covered with a network of congested veins,
purple in ordinary circumstances, but now pale violet, for even with his
back to the fire the cold pinched him on the other side. His cowl had
half-fallen back, and made a strange excrescence on either side of his
bull-neck. So he straddled, grumbling, and cut the room in half with
the shadow of his portly frame.

On the right, Villon and Guy Tabary were huddled together over a scrap
of parchment; Villon making a ballade which he was to call the "Ballade
of Roast Fish," and Tabary spluttering admiration at his shoulder. The
poet was a rag of a man, dark, little, and lean, with hollow cheeks and
thin black locks. He carried his four-and-twenty years with feverish
animation. Greed had made folds about his eyes, evil smiles had puckered
his mouth. The wolf and pig struggled together in his face. It was an
eloquent, sharp, ugly, earthly countenance. His hands were small and
prehensile, with fingers knotted like a cord; and they were continually
flickering in front of him in violent and expressive pantomime. As for
Tabary, a broad, complacent, admiring imbecility breathed from his
squash nose and slobbering lips: he had become a thief, just as he might
have become t