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. It _may_ be, some day! I sincerely hope so. Je leur veux du bien. Poor little Marianina stood on her six music-books and played with immense care and earnestness, just like a frightened but well-trained poodle walking on its hind-legs--one eye on her music and the tail of the other on her father, who accompanied her with his guitar. She got an encore, to Barty's great relief; and to hers too, no doubt--if she hadn't, fillips on the nose for supper that night! Then there were more solos and duets, with obbligatos for the violin. Next day Veronese and his wife were in high feather at the Kursaal, where they had sung the night before. A very distinguished military foreigner, in attendance on some august personage from Spain or Portugal (and later from Ostend), warmly and publicly complimented the signore on "his admirable rendering of 'Largo al factotum'--which, as his dear old friend Rossini had once told him (the General), he (Rossini) had always modestly looked upon as the one thing he had ever written with which he was _almost_ pleased!" Marianina also received warm commendation from this agreeable old soldier, while quite a fashionable crowd was listening; and Veronese arranged for another concert that evening, and placarded the town accordingly. Barty managed to escape any more meals in the Casa Veronese, but took Marianina for one or two pleasant walks, and told her stories and sang to her in the grenier, while she improvised for him clever little obbligatos on her fiddle. He found a cheap eating-house and picked up a companion or two to chat with. He also killed time with his seton-dressing and self dry-cupping--and hired French novels and read them as much as he dared with his remaining eye, about which he was morbidly nervous; he always fancied it would get its retina congested like the other, in which no improvement manifested itself whatever--and this depressed him very much. He was a most impatient patient. To return. The second concert was as conspicuous a failure as the first had been a success: the attendance was small and less distinguished, and there was no enthusiasm. The Frau signora slipped a note and lost her temper in the middle of "Roberto," and sang out of tune and with careless, open contempt of her audience, and this the audience seemed to understand and openly resent. Poor Marianina was frightened, and played very wrong notes under the furious gaze of her papa, and finally bro
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