uartettes and Duets . 408
Spohr and his Guarneri . . . . . . . . . . . . . . . . . . . . . 478
Spohr and the Collector . . . . . . . . . . . . . . . . . . . . 480
"Sports and Pastimes," Strutt's . . . . . . . . . . . . . . . . 16
Stadelmann, Daniel . . . . . . . . . . . . . . . . . . . . . . . 271
Stadelmann, Johann Joseph . . . . . . . . . . . . . . . . . . . 271
Stainer, Andreas . . . . . . . . . . . . . . . . . . . . . . . . 280
Stainer, Jacob, the greatest of German artists; his popularity;
Sir John Hawkins' estimate of his work; originality and
peculiarity of his model; variation in style; his "Elector
Stainers;" his personal history, by Herr S. Ruf and Counsellor
Von Sardagna; Dr. Johann Schuler's novel, "Jacob Stainer;" his
marriage; his imprisonment for heresy; his poverty and sad
death; his numerous followers and libellists . . . . . . . 271-280
Stainer, Markus . . . . . . . . . . . . . . . . . . . . . . . . 280
Statlee . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Staugtinger, Mathias . . . . . . . . . . . . . . . . . . . . . . 280
Steininger, Franz . . . . . . . . . . . . . . . . . . . . . . . 281
Steininger, Jacob . . . . . . . . . . . . . . . . . . . . . . . 281
Sterne, Laurence, on Hobby-horses . . . . . . . . . . . . . . . 331
Stolen "Strad," A . . . . . . . . . . . . . . . . . . . . . . . 449
Storioni, Lorenzo, follower of Guarneri del Gesu; his freak as
to placing the sound-holes; his Violins roughly finished, but
valued for acoustical properties . . . . . . . . . . . . . . . 174
Stoss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281
Stoss, Martin . . . . . . . . . . . . . . . . . . . . . . . . . 281
Stradivari, Antonio, date of birth, 178; Paolo Lombardini's
pamphlet on his life, 185; his marriage, and pedigree of his
family, 178-179; affinity of his work with that of his
master, Niccolo Amati, 182; second epoch, and change of
style, 189-190; possessor of the tools and models of N.
Amati, 184; his house at Cremona, 187; extracts from
Desiderio Arisi, 185; Vincenzo Lancetti on the purchase of
Stradivari's models and tools by Count Cozio di Salabue;
the letters of Paolo and Antonio Stradivari, junior, in
reference thereto, 188; splendid character of his varnish,
198; Cardinal Orsini's and the Duke of Modena's patronage,
190-191; the "Long Strad," 195; his work for the Spanish Court
and for
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