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of the drunkard and the warning of the fool. * * * Leave to the Stuart's cavalier the revel's blood-red wine To hiccup out a tyrant's health and swear his Right Divine Mine, Cromwell's* cup to stir within, the spirit cool and sure To face another Star Chamber, a second Marston Moor. Leave to the genius-scorner, the sot's soul-slaying urns That stained the fame of Addison, and wrecked the life of Burns For Etty's hand his private Pot, that for no waiter waits** For Cowper's lips his "Cup that cheers but not inebriates." Goal of Infantine Hope, Unknown, mystic Felicity Sangrael of childish quest much sought, aethereal "Real Tea" Thy faintest tint of yellow on the milk and water pale Like Midas' stain on Pactolus, gives joy that cannot fail. [* Cromwell's teapot was among the first used in England.] [** Etty, the artist made his own tea in all hotels in a private pot.] Childhood's "May I have _real_ tea" had grown into the tea-table of the Junior Debating Club, and Lucian Oldershaw remembers Gilbert as a young man still lunching at tea shops. I found recently two versions of a fragment of a story called "The Human Club," written when he was at the Slade School. The second version opens: A meal was spread on the table, for the members of the Human Club were, as their name implies, human, however glorified and transformed: the meal, however, consisted principally of tea and coffee, for the Humans were total abstainers, not with the virulent assertion of a negative formula, but as an enlightened ratification of a profound social effort (hear, hear), not as the meaningless idolatry (cheers) of an isolated nostrum (renewed cheers), but as a chivalrous sacrifice for the triumph of a civic morality (prolonged cheers and uproar). The aims of the Human Club were many but among the more practical and immediate was the entire perfection of everything. "Perfection is impossible," said the host, Eric Peterson, bowing his colossal proportions over the coffee-pot. He was in the habit of showing these abrupt rifts of his train of thought, like gigantic fragments of a frieze. But he said then quite simply, with no change in his bleak blue eyes, "perfection is impossible, thank God. The impossible is the eternal." We are a long way from tea the "Oriental," cocoa the "vulgar beast," and wine the true festivity of man that we fi
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