FREE BOOKS

Author's List




PREV.   NEXT  
|<   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27  
28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   >>   >|  
aracter and so popular with his fellow journalists that stories of all kinds abound: concerning him there is a kind of evidence, and very valuable it is, that may be called a Boswell Collective. It is fitting that it should be so. We cannot picture G.K. like the great lexicographer accompanied constantly by one ardent and observant witness, pencil in hand, ready to take notes over the teacups. (And by the way, in spite of an acquaintance who regretted in this connection that G.K. was not latterly more often seen in taverns, it was over the teacups, even more than over the wine glasses, that Boswell made his notes. I have seen Boswell's signature after wine--on the minutes of a meeting of The Club--and he was in no condition then for the taking of notes. Even the signature is almost illegible.) But it is fitting that Gilbert, who loved all sorts of men so much, should be kept alive for the future by all sorts of men. From the focussing of many views from many angles this picture has been composed, but they are all views of one man, and the picture will show, I think, a singular unity. When Whistler, as Gilbert himself once said, painted a portrait he made and destroyed many sketches--how many it did not matter, for all, even of his failures, were fruitful--but it would have mattered frightfully if each time he looked up he found a new subject sitting placidly for his portrait. Gilbert was fond of asking in the _New Witness_ of people who expressed admiration for Lloyd George: "Which George do you mean?" for, chameleon-like, the politician has worn many colours and the portrait painted in 1906 would have had to be torn up in 1916. But gather the Chesterton portraits: read the files when he first grew into fame: talk to Mr. Titterton who worked with him on the _Daily News_ in 1906 and on _G.K.'s Weekly_ in 1936, collect witnesses from his boyhood to his old age, from Dublin to Vancouver: individuals who knew him, groups who are endeavoring to work out his ideas: all will agree on the ideas and on the man as making one pattern throughout, one developing but integrated mind and personality. Gathering the material for a biography bears some resemblance to interrogating witnesses in a Court of Law. There are good witnesses and bad: reliable and unreliable memories. I remember an old lady, a friend of my mother's, who remarked with candour after my mother had confided to her something of importance: "My dear, I must go and w
PREV.   NEXT  
|<   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27  
28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   >>   >|  



Top keywords:

Gilbert

 

picture

 

witnesses

 
Boswell
 

portrait

 
signature
 

painted

 
George
 

teacups

 

mother


fitting

 

portraits

 

gather

 

Chesterton

 
candour
 
remarked
 
confided
 

admiration

 

expressed

 

Witness


people
 

colours

 

friend

 
politician
 

chameleon

 

importance

 

Titterton

 

resemblance

 
interrogating
 
biography

personality
 

developing

 
pattern
 

Gathering

 
material
 

making

 

endeavoring

 

groups

 

Weekly

 

memories


collect

 

remember

 

integrated

 

worked

 

unreliable

 

reliable

 

individuals

 
Vancouver
 

Dublin

 

boyhood