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The Project Gutenberg EBook of Froude's Essays in Literature and History, by James Froude This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Froude's Essays in Literature and History With Introduction by Hilaire Belloc Author: James Froude Commentator: Hilaire Belloc Release Date: April 28, 2006 [EBook #18276] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FROUDE'S ESSAYS *** Produced by Michael Madden Essays on History and Literature By James Anthony Froude London: J. M. Dent & Co., 1906 ____ Contents Arnold's Poems (Westminster Review, 1854) Words about Oxford (Fraser's Magazine, 1850) England's Forgotten Worthies (Westminster Review, 1852) The Book of Job (Westminster Review, 1853) The Lives of the Saints (Eclectic Review, 1852) The Dissolution of the Monasteries (Fraser's Magazine, 1857) The Philosophy of Christianity (The Leader, 1851) A Plea for the Free Discussion of Theological Difficulties (Fraser's Magazine, 1863) Spinoza (Westminster Review, 1855) Reynard the Fox (Fraser's Magazine, 1852) The Commonplace Book of Richard Hilles (Fraser's Magazine, 1858) ____ INTRODUCTION Froude had this merit--a merit he shared with Huxley alone of His contemporaries--that he imposed his convictions. He fought against resistance. He excited (and still excites) a violent animosity. He exasperated the surface of his time and was yet too strong for that surface to reject him. This combative and aggressive quality in him, which was successful in that it was permanent and never suffered a final defeat should arrest any one who may make a general survey of the last generation in letters. It was a period with a vice of its own which yet remains to be detected and chastised. In one epoch lubricity, in another fanaticism, in a third dulness and a dead-alive copying of the past, are the faults which criticism finds to attack. None of these affected the Victorian era. It was pure--though tainted with a profound hypocrisy; it was singularly free from violence in its judgments; it was certainly alive and new: but it had this grievous defect (a defect under which we still labour heavily) that thought was
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