ers, 113
Drums, 73, 74, 82, 110 _et seq._
Duality of music, 15
"Dump" and _Dumka_, 151
_Durchfuehrung_, 131
Dvorak, symphonies, "From the New World," 132, 138;
in G major, 136
Eames, Emma, 247
Edwards, G. Sutherland, 12
Elements of music, 15, 19
Emotionality in music, 43
English horn, 82, 99, 100
English opera, 223
Ernst's violin, 320
Esterhazy, Prince, 46
Euler, acoustician, 317
Expression, words of, 43
Familiar music best liked, 21
Fancy, 15, 16, 58
Farinelli, 240
Fasch, C.F., 262
Feelings, their relation to music, 38 _et seq._, 215, 216
Ferri, 239, 240
Finale, symphonic, 135
First movement in symphony, 131
Flageolet tones, 89
Florentine inventors of the opera, 217, 227, 234, 249
Flute, 73, 74, 78, 82, 95 _et seq._
Form, 16, 17, 22, 35
Formes, 242, 248
Frederick the Great, 263
Free Fantasia, 131
French horn, 47, 106 _et seq._
Frezzolini, 242
_Friss_, 201
Frogs, musical delineation of, 58, 62
"Gallina et Gallo," 53
Gavotte, 173, 179
German opera, 226
Gerster, Etelka, 242, 245
Gesture, 43
Gigue, 173, 174, 178
Gilbert, W.S., 208, 224
Gilbert and Sullivan's operettas, 224
_Glockenspiel_, 110
Gluck, 84, 148, 153, 202, 203, 238;
his dancers, 153;
his orchestra, 238;
"Alceste," 148;
"Iphigenie en Aulide," 153;
"Orfeo," 202, 203
Goethe, 34, 140, 223
Goldmark, "Sakuntala" overture, 149
Gong, 110
Gossec, Requiem, 293
Gounod, "Faust," 209, 224, 238, 246
_Grand Opera_, 223, 224
Greek Tragedy, 211 _et seq._
Grisi, 241, 242
_Grosse Oper_, 224
Grove, Sir George, 33, 63, 141, 187
Gypsy music, 198 _et seq._
Halle, Lady, 320
Hamburg, opera in, 206, 207
Handel, 58, 60, 62, 83, 102, 126, 148, 174, 177, 178, 181, 182, 184,
256, 257, 258, 259, 265, 272;
his orchestra, 84;
his suites, 174;
his overtures, 148;
his technique as a player, 181, 182, 184;
his choirs, 257;
Commemoration, 258;
his _tutti_, 258;
"Messiah," 60, 126, 256, 257, 265, 272;
"Saul," 102;
"Almira," 177;
"Rinaldo," 178;
"Israel in Egypt," 58, 62, 257, 259, 289;
"_Lascia ch'io pianga_," 178
Hanslick, Dr. Eduard, 203
Harmonics, on violin, 89
Harmony, 19, 21, 22, 218
Harp, 82
Harpsichord, 168, 170
Hauptmann, M., 41
Hautboy, 99
Haweis, the Rev. Mr., 318 _et seq._
Haydn, 46, 84, 100, 127, 168, 183, 295;
his manner of composing, 183;
dramatic eff
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