te
theatres,--the ordinary parts being taken by amateurs.

How could they, we naturally ask, get an audience, when so many
performances were in progress, and how could the people get around to so
many places? The answer is: these performances were given daily,
including Sunday, and at all hours of the day, some concerts being given
as early as six o'clock in the morning. It was indeed a "golden age for
Beethoven," as Schindler remarks. Thayer gives a list of twenty-one
great houses open to Beethoven, nine of which belonged to princes. The
young musician was often the guest of honor at the various musical
functions given by these people, and received much attention from
illustrious persons who were attracted to him by the force of his
character as well as his genius. Not in any degree a society man, rough
in exterior and careless of appearance, he was sought after by the most
exclusive of Vienna society.

That a man of such force and originality, such independence, should have
won the lifelong friendship of those of his own sex, goes without
saying. His very scorn for the conventions and refinements of life, the
manliness which was reflected in his every act, in the tones of his
voice and the expression of his face, all this, united to such talents,
would be sure to win the enthusiastic admiration of his fellow-men. But
that the beautiful society women of the capital should have been
attracted to a man so uncouth may at first sight seem surprising, until
we consider that he attracted them in spite of these drawbacks and on
account of other qualities, such as his sensibility, his earnestness and
devotion to his art, and the wealth of his emotional and intellectual
nature. He thoroughly enjoyed standing so well socially with these
ladies, who in family connections were above him, but who were willing
to sit at his feet in homage to his genius. Beginning with hero worship
on the part of these devotees, the sentiment usually developed into the
more intimate relation of friendship or love. The "Ewig Weibliche"
appears constantly in his music and was always in his life. He formed
many romantic attachments which may not always have been Platonic, but
they were always pure. Beethoven had as chivalrous a regard for women as
had any knight of the middle ages.

Among those with whom he became intimate are the Baroness Ertmann, the
Countess Erdoedy, the sisters of the Count of Brunswick and many others.
It is interesting to note