153,
Celestial harmonies in, 235,
Congenial work to Beethoven, 146,
and the copyist, 188,
Beethoven's absorption in, 147, 160,
Christe eleison, 151,
Et incarnatus of, 234,
Interpretation by the orchestra, 150,
Lydian and Dorian modes in, 147,
Marvels of, 154,
Mysticism of, 96,
a Symphony to Wagner's view, 150,
Subscription price of, 154,
Sale of score, 182,
proceeds from, 183,
First production by Prince Galitzin, 192,
Preludium in, 232, 233,
Kyrie of, 101, 124, 151, 153, 163, 169, 171, 186, 219,
Splendor of conception of, 151,
its symphonic style, 151,
German direction in, 153,
Loss of manuscript of, 186,
its rhythm, 151.
Melusina, 160.
Mendelssohn, 232, 236.
Messiah, The, 139.
Metaphysical, 2.
Metronome, inventor of, 104.
Metternich, Prince, 102.
Meyerbeer, 105, 225.
Minorites, church of, 7, 211.
Minuet, the, 133.
Moedling, 147.
Monasteries, old chorales of, 147.
"Moonlight" Sonata, 35-36.
Moscheles, 103, 105,
and piano arrangement of Fidelio, 106.
Mount of Olives, 35.
Mozart, 9, 20, 22, 28, 33, 46, 48, 50-51, 79, 100, 134, 139, 225, 227,
Early death of, 191,
Genius of, 140,
his precocity, 8,
praised by Beethoven, 140,
Requiem, 51, 212,
Sonatas, 34, 139,
his widow, 31,
his operas at Bonn, 14.
Mozart's Mass in Bb, 51, 73,
Agnus Dei of, 73,
Et incarnatus of, 73,
Kyrie of, 75.
Mozart and Haydn, 11, 20, 33, 73, 74, 75, 131.
Music, its function, 4,
outward expression of, 39,
dramas, great, 231,
a language, 226, 227,
Religious, 144,
Origin in the dance, 99.
Musician, the, social obligations of, 39.
Mystery in life, 153, 225.
Mysticism, and the artistic nature, 144.
Napoleon, 41, 44, 54, 83, 103, 191,
Arch-enemy of Austria, 42,
Campaign against Austria, 41, 42,
escapes from Elba, 109,
declared emperor, 44,
Greatest military achievement, 42,
In the toils, 107,
Marriage to Archduchess Maria Louisa, 102,
Marriage to Josephine, 43,
overruns Germany, 69,
takes Vienna, 54.
National opera at Bonn, 13.
Neate, Charles, 182.
Neefe, Beethoven's teacher, 6, 7, 17.
New Testament, 161.
Nietzsche, Friederich, 40, 216.
Ninth Symphony (choral), 29, 96, 100, 166, 167, 172, 181, 196, 226,
Choral finale, 170,
an outburst of joy at deliverance, 164,
First movement of, 163,
First performance in this country, 165,
Psychological problems in, 162,
Sontag, and soprano part of, 160,
Trombones
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