that. It's the only
safe way."
These facts, then, alone were clear to him: He had wandered, unconscious,
in the neighbourhood. His grandfather had been strangely murdered. The
detective who had met him in the village practically accused him of the
murder. And he couldn't remember.
He turned back to his last clear recollections. When he had experienced
his first symptoms of slipping consciousness he had been in the cafe in
New York with Carlos Paredes, Maria, the dancer, and a strange man whom
Maria had brought to the table. Through them he might, to an extent,
trace his movements, unless they had put him in a cab, thinking he would
catch the train, of which he had talked, for the Cedars.
Already the forest crowded the narrow, curving road. The Blackburn place
was in the midst of an arid thicket of stunted pines, oaks, and cedars.
Old Blackburn had never done anything to improve the estate or its
surroundings. Steadily during his lifetime it had grown more gloomy, less
habitable.
With the silent forest thick about him Bobby realized that he was no
longer alone. A crackling twig or a loose stone struck by a foot might
have warned him. He went slower, glancing restlessly over his shoulder.
He saw no one, but that idea of stealthy pursuit persisted. Undoubtedly
it was the detective, Howells, who followed him, hoping, perhaps, that he
would make some mad effort at escape.
"That," he muttered, "is probably the reason he didn't arrest me at
the station."
Bobby, however, had no thought of escape. He was impatient to reach the
Cedars where he might learn all that Howells hadn't told him about his
grandfather's death.
A high wooden fence straggled through the forest. The driveway swung from
the road through a broad gateway. The gate stood open. Bobby remembered
that it had been old Blackburn's habit to keep it closed. He entered and
hurried among the trees to the edge of the lawn in the centre of which
the house stood.
Feeling as guilty as the detective thought him, he paused there and
examined the house for some sign of life. At first it seemed as dead as
the forest stripped by autumn--almost as gloomy and arid as the
wilderness which straggled close about it. He had no eye for the symmetry
of its wings which formed the court in the centre of which an abandoned
fountain stood. He studied the windows, picturing Katherine alone,
surrounded by the complications of this unexpected tragedy.
His feeling of an inim
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