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aracter. Nannie Ray, herself still very new to the delights of theatre-going, had recently seen a great actress play Lady Macbeth, and, fired with the spirit of emulation, she had been enacting the sleep-walking scene for the benefit of her country neighbour. Miss Becky Crawlin lived only half a mile down the road from the old Ray homestead, where the family were in the habit of spending six months of the year. She and Nannie had always been great cronies, Miss Becky finding a perennial delight in "that child's goin's on." The "child" meanwhile had come to be sixteen years old, but no one would have given her credit for such dignity who had seen the incongruous little figure perched upon the slippery haircloth sofa, twinkling with delight at Miss Becky's encomiums. She wore a voluminous nightgown, from under the hem of which a pink gingham ruffle insisted upon poking itself out; her long black hair hung over her shoulders in sufficiently tragic strands; her cheeks, liberally powdered with flour, gleamed treacherously pink through a chance break in their highly artificial pallor, while portentous brows of burnt cork did their best to make terrible a pair of very girlish and innocent eyes. A touch of realism which the original Lady Macbeth lacked was given by a streak of red crayon which lent a murderous significance to the small brown hand. "I declare!" her admiring auditor went on, stitching away to make up for lost time, "I can't see but you do's well's the lady I saw--only she was dressed prettier, and went round with a wreath on her head. A wreath's always so becomin'! We used to wear 'em May Day, when I was a girl. They was made o' paper flowers, all colours, so's you could suit your complexion, and when it didn't rain I must say we looked reel nice. 'Twas surprisin', though, how quick a few drops o' rain would wilt one o' them paper wreaths right down so's you could scurcely tell what 'twas meant for." "Tell me some more about the girl with the wreath, Miss Becky," said Lady Macbeth, longing to curl herself up in a corner, but too mindful of her tragic dignity to unbend. "Well, she looked reel pretty, but she didn't hev _sperit_ enough to suit my idees. She was kind o' lackadaisical and namby-pamby, 'n' when her young man sarsed her she didn't seem to hev nothin' to say for herself. I must say 'twas a heathenish kind of a play anyway, 'n' I ain't surprised that Uncle 'Bijah got sot agin it. The language
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