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Title: A Second Book of Operas
Author: Henry Edward Krehbiel
Posting Date: May 15, 2009 [EBook #3770]
Release Date: February, 2003
First Posted: August 28, 2001
Language: English
Character set encoding: ASCII
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A SECOND BOOK OF OPERAS
by
Henry Edward Krehbiel
CONTENTS AND INDEX
CHAPTER I
BIBLICAL OPERAS
England and the Lord Chamberlain's censorship, et Gounod's "Reine de
Saba," The transmigrations of "Un Ballo in Maschera," How composers
revamp their music, et seq,--Handel and Keiser, Mozart and Bertati,
Beethoven's readaptations of his own works, Rossini and his "Barber of
Seville," Verdi's "Nebuchadnezzar," Rossini's "Moses," "Samson et
Dalila," Goldmark's "Konigin von Saba," The Biblical operas of
Rubinstein, Mehul's "Joseph," Mendelssohn's "Elijah" in dramatic form,
Oratorios and Lenten operas in Italy, Carissimi and Peri, Scarlatti's
oratorios, Scenery and costumes in oratorios, The passage of the Red
Sea and "Dal tuo stellato," Nerves wrecked by beautiful music, "Peter
the Hermit" and refractory mimic troops, "Mi manca la voce" and
operatic amenities, Operatic prayers and ballets, Goethe's criticism of
Rossini's "Mose,"
CHAPTER II
BIBLE STORIES IN OPERA AND ORATORIO
Dr. Chrysander's theory of the undramatic nature of the Hebrew, his
literature, and his life, Hebrew history and Greek mythology, Some
parallels, Old Testament subjects: Adam and Eve, Cain and Abel, The
"Kain" of Bulthaupt and d'Albert, "Tote Augen," Noah and the Deluge,
Abraham, The Exodus, Mehal's "Joseph," Potiphar's wife and Richard
Strauss, Raimondi's contrapuntal trilogy, Nebuchadnezzar, Judas
Maccabaeus, Jephtha and his Daughter, Judith, Esther, Athalia,
CHAPTER III
RUBINSTEIN AND HIS "GEISTLICHE OPER"
Anton Rubinstein and his ideals, An ambition to emulate Wagner, "The
Tower of Babel," The composer's theories and strivings, et seq.--Dean
Stanley, "Die Makkabaer," "S
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