e chooses (and he is not above
playing tricks, when he seems to get tired of his story or perplexed with
it), if only he will go on making his peasants talk, and his rather
uncertain ladies get in and out of love, and serve themselves of every
chance that fortune offers them of having their own way. We shrink from
the unmorality of the Latin races, but Hardy has divined in the heart of
our own race a lingering heathenism, which, if not Greek, has certainly
been no more baptized than the neo-hellenism of the Parisians. His
heroines especially exemplify it, and I should be safe in saying that his
Ethelbertas, his Eustacias, his Elfridas, his Bathshebas, his Fancies,
are wholly pagan. I should not dare to ask how much of their charm came
from that fact; and the author does not fail to show you how much harm,
so that it is not on my conscience. His people live very close to the
heart of nature, and no one, unless it is Tourguenief, gives you a richer
and sweeter sense of her unity with human nature. Hardy is a great poet
as well as a great humorist, and if he were not a great artist also his
humor would be enough to endear him to me.
XXXV. TOLSTOY
I come now, though not quite in the order of time, to the noblest of all
these enthusiasms--namely, my devotion for the writings of Lyof Tolstoy.
I should wish to speak of him with his own incomparable truth, yet I do
not know how to give a notion of his influence without the effect of
exaggeration. As much as one merely human being can help another I
believe that he has helped me; he has not influenced me in aesthetics
only, but in ethics, too, so that I can never again see life in the way I
saw it before I knew him. Tolstoy awakens in his reader the will to be a
man; not effectively, not spectacularly, but simply, really. He leads
you back to the only true ideal, away from that false standard of the
gentleman, to the Man who sought not to be distinguished from other men,
but identified with them, to that Presence in which the finest gentleman
shows his alloy of vanity, and the greatest genius shrinks to the measure
of his miserable egotism. I learned from Tolstoy to try character and
motive by no other test, and though I am perpetually false to that
sublime ideal myself, still the ideal remains with me, to make me ashamed
that I am not true to it. Tolstoy gave me heart to hope that the world
may yet be made over in the image of Him who died for it, when all
Caesars thin
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