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persons who take society in its serious aspects, the paraphernalia of justice has a grand and solemn character difficult perhaps to define. Institutions depend altogether on the feelings with which men view them and the degree of grandeur which men's thoughts attach to them. When there is no longer, we will not say religion, but belief among the people, whenever early education has loosened all conservative bonds by accustoming youth to the practice of pitiless analysis, a nation will be found in process of dissolution; for it will then be held together only by the base solder of material interests, and by the formulas of a creed created by intelligent egotism. Bred in religious ideas, Birotteau held justice to be what it ought to be in the eyes of men,--a representation of society itself, an august utterance of the will of all, apart from the particular form by which it is expressed. The older, feebler, grayer the magistrate, the more solemn seemed the exercise of his function,--a function which demands profound study of men and things, which subdues the heart and hardens it against the influence of eager interests. It is a rare thing nowadays to find men who mount the stairway of the old Palais de Justice in the grasp of keen emotions. Cesar Birotteau was one of those men. Few persons have noticed the majestic solemnity of that stairway, admirably placed as it is to produce a solemn effect. It rises, beyond the outer peristyle which adorns the courtyard of the Palais, from the centre of a gallery leading, at one end, to the vast hall of the Pas Perdus, and at the other to the Sainte-Chapelle,--two architectural monuments which make all buildings in their neighborhood seem paltry. The church of Saint-Louis is among the most imposing edifices in Paris, and the approach to it through this long gallery is at once sombre and romantic. The great hall of the Pas Perdus, on the contrary, presents at the other end of the gallery a broad space of light; it is impossible to forget that the history of France is linked to those walls. The stairway should therefore be imposing in character; and, in point of act, it is neither dwarfed nor crushed by the architectural splendors on either side of it. Possibly the mind is sobered by a glimpse, caught through the rich gratings, of the Place du Palais-de-Justice, where so many sentences have been executed. The staircase opens above into an enormous space, or antechamber, leading to th
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