ter marriage this Sehnsucht nach der Liebe
subsides. It is what sentimentalists, who deal in very big words, call
a yearning after the Ideal, and simply means that women are commonly
not satisfied until they have husbands and children on whom they may
centre affections, which are spent elsewhere, as it were, in small
change.

Having expended her little store of songs, or having stayed long enough
in the back drawing-room, it now appeared proper to Miss Amelia to ask
her friend to sing. "You would not have listened to me," she said to
Mr. Osborne (though she knew she was telling a fib), "had you heard
Rebecca first."

"I give Miss Sharp warning, though," said Osborne, "that, right or
wrong, I consider Miss Amelia Sedley the first singer in the world."

"You shall hear," said Amelia; and Joseph Sedley was actually polite
enough to carry the candles to the piano. Osborne hinted that he should
like quite as well to sit in the dark; but Miss Sedley, laughing,
declined to bear him company any farther, and the two accordingly
followed Mr. Joseph. Rebecca sang far better than her friend (though
of course Osborne was free to keep his opinion), and exerted herself to
the utmost, and, indeed, to the wonder of Amelia, who had never known
her perform so well. She sang a French song, which Joseph did not
understand in the least, and which George confessed he did not
understand, and then a number of those simple ballads which were the
fashion forty years ago, and in which British tars, our King, poor
Susan, blue-eyed Mary, and the like, were the principal themes. They
are not, it is said, very brilliant, in a musical point of view, but
contain numberless good-natured, simple appeals to the affections,
which people understood better than the milk-and-water lagrime,
sospiri, and felicita of the eternal Donizettian music with which we
are favoured now-a-days.

Conversation of a sentimental sort, befitting the subject, was carried
on between the songs, to which Sambo, after he had brought the tea, the
delighted cook, and even Mrs. Blenkinsop, the housekeeper, condescended
to listen on the landing-place.

Among these ditties was one, the last of the concert, and to the
following effect:

Ah! bleak and barren was the moor, Ah! loud and piercing was the storm,
The cottage roof was shelter'd sure, The cottage hearth was bright and
warm--An orphan boy the lattice pass'd, And, as he mark'd its cheerful
glow, Felt doubly keen the mid