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lly appeared. There are some days when it is very bad in a field hospital, just as there are some days when there is nothing to do, and the whole staff is practically idle. The bad days are those when the endless roar of the guns makes the little wooden _baracques_ rock and rattle, and when endless processions of ambulances drive in and deliver broken, ruined men, and then drive off again, to return loaded with more wrecks. The beds in the _Salle d'Attente_, where the ambulances unload, are filled with heaps under blankets. Coarse, hobnailed boots stick out from the blankets, and sometimes the heaps, which are men, moan or are silent. On the floor lie piles of clothing, filthy, muddy, blood-soaked, torn or cut from the silent bodies on the beds. The stretcher bearers step over these piles of dirty clothing, or kick them aside, as they lift the shrinking bodies to the brown stretchers, and carry them across, one by one, to the operating room. The operating room is filled with stretchers, lying in rows upon the floor, waiting their turn to be emptied, to have their burdens lifted from them to the high operating tables. And as fast as the stretchers are emptied, the stretcher-bearers hurry back to the _Salle d'Attente_, where the ambulances dump their loads, and come over to the operating room again, with fresh lots. Three tables going in the operating room, and the white-gowned surgeons stand so thick around the tables that you cannot see what is on them. There are stretchers lying on the floor of the corridor, and against the walls of the operating room, and more ambulances are driving in all the time. From the operating room they are brought into the wards, these bandaged heaps from the operating tables, these heaps that once were men. The clean beds of the ward are turned back to receive them, to receive the motionless, bandaged heaps that are lifted, shoved, or rolled from the stretchers to the beds. Again and again, all day long, the procession of stretchers comes into the wards. The foremost bearer kicks open the door with his knee, and lets in ahead of him a blast of winter rain, which sets dancing the charts and papers lying on the table, and blows out the alcohol lamp over which the syringe is boiling. Someone bangs the door shut. The unconscious form is loaded on the bed. He is heavy and the bed sags beneath his weight. The _brancardiers_ gather up their red blankets and shuffle off again, leaving cakes of mud
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