ng," or saying to the skylark--

"Bird of the wilderness,
Blithesome and cumberless,
Sweet be thy matin o'er moorland and lea;
Emblem of happiness,
Blest is thy dwelling-place,
Oh! to abide in the desert with thee!"

Tannahill has likewise written a number of songs which have been
deservedly admired, loved, and sung. Allan Cunningham used to say, that
if he could only succeed in writing two songs which the inhabitants of
his native land would continue to sing, he would account it sufficient
fame. Tannahill has accomplished this, and much more. In temperament, as
well as circumstances, he differed widely both from Lady Nairn and the
Ettrick Shepherd. Amiable and good in all her ways, Lady Nairn's career
appears to have been lovely and alluring as the serene summer eve; the
Shepherd was rich as autumn, in the enjoyment of life itself, and all
that life could bring; but Tannahill's nature was cloudy, sensitive, and
uncertain as the April day. Lady Nairn, ambitious of doing good and
promoting happiness, dwelt, in heart at least, "among her own people,"
giving and receiving alike those charms of unbroken delight which spring
from the kindness of the kind, and fearing nothing so much as public
notoriety. Hogg loved fame, yet took no pains to secure it. Fame,
nevertheless, reached him; but when found, it was with him a possession
much resembling the child's toy. His heart to the last appeared too
deeply imbued with the unsuspicious simplicity and carelessness of the
boy to have much concern about it. On this point Tannahill was morbidly
sensitive; his was an unfortunate cast of temperament, which, deepening
more and more, surrounded him with imaginary evils, and rendered life
insupportable. Lady Nairn was too modest not to be distrustful of the
extent of her genius, and presumed only to exercise it in composing
words to favourite melodies. The genius of Tannahill was more
circumscribed, and he was consequently more timid and painstaking. Hogg,
ambitious of originality, was bold and reckless. He had the power of
assuming many distinct varieties of style, his mind, taking the tone of
the subject entered upon, as easily as the musician passes from one note
to another. In education, Tannahill had the advantage over the Shepherd,
but in nothing else. The Shepherd's occupation was much more calculated
to inspire him with the feelings, and more fitted in everything to urge
to the cul