become wonderfully adroit in doing a
fraction of something. They always remind us of the Chinese or the old
Egyptians. A young person who mounts photographs on cards all day long
confessed to having never, or almost never, seen a negative developed,
though standing at the time within a few feet of the dark closet where the
process was going on all day long. One forlorn individual will perhaps
pass his days in the single work of cleaning the glass plates for
negatives. Almost at his elbow is a toning bath, but he would think it a
good joke, if you asked him whether a picture had lain long enough in the
solution of gold or hyposulphite.
We always take a glance at the literature which is certain to adorn the
walls in the neighborhood of each operative's bench or place for work. Our
friends in the manufactory we are speaking of were not wanting in this
respect. One of the girls had pasted on the wall before her,
"_Kind words can never die._"
It would not have been easy to give her a harsh one after reading her
chosen maxim. "The Moment of Parting" was twice noticed. "The Haunted
Spring", "Dearest May", "The _Bony_ Boat", "Yankee Girls", "Yankee Ship
and Yankee Crew", "My Country, 'tis of thee", and--was there ever anybody
that ever broke up prose into lengths who would not look to see if there
were not a copy of some performance of his own on the wall he was
examining, if he were exploring the inner chamber of a freshly opened
pyramid?
We left the great manufacturing establishment of the Messrs. Anthony, more
than ever impressed with the vast accession of happiness which has come to
mankind through this art, which has spread itself as widely as
civilization. The photographer can procure every article needed for his
work at moderate cost and in quantities suited to his wants. His prices
have consequently come down to such a point that pauperism itself need
hardly shrink from the outlay required for a family portrait-gallery. The
"tin-types," as the small miniatures are called,--stanno-types would be
the proper name,--are furnished at the rate of _two cents_ each! A
portrait such as Isabey could not paint for a Marshal of France,--a
likeness such as Malbone could not make of a President's Lady, to be had
for two coppers,--a dozen _chefs d'oeuvre_ for a quarter of a dollar!
* * * * *
We had been for a long time meditating a devotion of a part of what is
left of our more or less yo
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