monious coordination of racquet and
graceful footwork.

The following are some of the fundamental shots you should attempt to
include in your repertoire:

Rails: Your "bread and butter" shots, similar to Squash Racquets, are
the "rails" or shots hit straight up and down, parallel to the side wall.
These rails keep your opponents "scrambling" and allow you to hold that
important "T" position.

The rail shot is hit more effectually when you are fairly close, within
three feet, of the side wall. The closer your position to the side wall,
the easier it is to hit a shot that stays right next to the wall during
the entire flight of the shot (see fig. 9 [Straight up and down backhand
and forehand rail shots.]).

Many winners are made off of these rail shots in the following manner:

1. Frequently the ball hits straight into a rear corner and dies; or
2. It pops unexpectedly out of the corner and right into your opponent;
3. When hit with the proper pace, and low, the ball will die before it
comes off the back wall;
4. When hit with sheer power and relatively high, your opponent will be
unable to catch up with it;
5. If the ball is hit in such a manner as to make it cling to the side
wall all the way back, your opponent will err in attempting to pick it
off the side wall.

Crosscourts: To be mixed in with your straight up and down strokes are
the crosscourt forehand and backhand shots. Here again, these are
employed to keep the ball out of the middle and keep your opponent
defensive and on the move. They can be hit either straight toward the
opposite back wall corner (see fig. 10 [Cross court to opponent's
backhand.]) frequently for a winner, or more sharply cross court, so that
the ball either breaks into or behind your opponent's position (see fig.
11 [Cross court that breaks into or behind opponent.]).

Three-wall Fadeaway: This shot can only be executed when you are a few
feet in front of the service line and off to one side of the court or the
other, nearer to the side wall than the center. Otherwise it is
practically impossible to obtain the necessary angle to pull of the
three-wall fadeaway successfully.

The ball is hit as sharply as possible into the opposite corner, at a
position approximately midway between the floor and the ceiling, striking
the front wall first and then the side wall. This particular stroke is
hit higher than most of the other Squash Tennis shots since the ball has
so far to