the theater. He
has established himself as one of America's brightest stars; but the
role of John Danton does not enhance his reputation. In his lighter
scenes he was delightful, but his emotional moments did not ring true.
In the white-hot climax of the third act, for instance, which is the
big scene of the play, he was stiff, unnatural, unconvincing. Either
he saw Miss Berwynd taking the honors of stardom away from him and
generously submerged his own talent in order to enhance her triumph,
or it is but another proof of the statement that husband and wife do
not make convincing lovers in the realm of the make-believe. It was
surely due to no lack of opportunity on his part--"
So the writer thought Irving Francis had voluntarily allowed his wife
to rival him. Phillips smiled at this. Some actors might be capable
of such generosity, but hardly Irving Francis. He recalled the man's
insistent demands during rehearsals that the 'script be changed to
build up his own part and undermine that of his wife; the many heated
arguments which had even threatened to prevent the final performance
of the piece. Irving's egotism had blinded him to the true result
of these quarrels, for although he had been given more lines, more
scenes, Phillips had seen to it that Norma was the one to really
profit by the changes. Author and star had been upon the verge
of rupture more than once during that heartbreaking period of
preparation, but Phillips was supremely glad now that he had held
himself in control. Leontine's constant nagging had borne fruit, after
all, in that it had at least taught him to bite down on his words, and
to smile at provocation.
Yes! Norma Berwynd was a star in spite of herself, in spite of her
husband. She was no longer merely the wife of Irving Francis, the
popular idol. Phillips was glad that she did not know how long it had
taken him to effect her independence, nor the price he had paid for
it, since, under the circumstances, the truth could help neither of
them.
He was aroused from his abstraction by the rustle of a woman's
garments, and leaped to his feet with a glad light in his eyes, only
to find Leontine, his wife, confronting him.
"Oh!" he said; then with an effort, "What is the matter?"
"Nothing."
"I didn't know you were coming down-town."
"Whom were you expecting?" Leontine mocked, with that slight accent
which betrayed her Gallic origin.
"No one."
She regarded him with fixed hostility.
|