voted to things which have happened, and might,
could, would, or should happen without violence to probability. These
are generally the vehicle for moral lessons which are all the more
impressive because not insisted on.
III. The scientific, conveying bits of information about animals,
flowers, rocks, and stars.
IV. The historical, or simple, interesting accounts of the lives of
heroes and events in our country's struggle for life and liberty.
There is a great difference in opinion regarding the advisability of
telling fairy stories to very young children, and there can be no
question that some of them are entirely undesirable and inappropriate.
Those containing a fierce or horrible element must, of course, be
promptly ruled out of court, including the "bluggy" tales of cruel
stepmothers, ferocious giants and ogres, which fill the so-called
fairy literature. Yet those which are pure in tone and gay with
fanciful coloring may surely be told occasionally, if only for the
quickening of the imagination. Perhaps, however, it is best to keep
them as a sort of sweetmeat, to be taken on, high days and holidays
only.
Let us be realistic, by all means; but beware, O story-teller! of
being too realistic. Avoid the "shuddering tale" of the wicked boy who
stoned the birds, lest some hearer be inspired to try the dreadful
experiment and see if it really does kill. Tell not the story of the
bears who were set on a hot stove to learn to dance, for children
quickly learn to gloat over the horrible.
Deal with the positive rather than the negative in story-telling;
learn to affirm, not to deny.
Some one perhaps will say here, the knowledge of cruelty and sin must
come some time to the child; then why shield him from it now? True,
it must come; but take heed that you be not the one to introduce it
arbitrarily. "Stand far off from childhood," says Jean Paul, "and
brush not away the flower-dust with your rough fist."
The truths of botany, of mineralogy, of zoology, may be woven into
attractive stories which will prove as interesting to the child as the
most extravagant fairy tale. But endeavor to shape your narrative so
dexterously around the bit of knowledge you wish to convey, that it
may be the pivotal point of interest, that the child may not suspect
for a moment your intention of instructing him under the guise of
amusement. Should this dark suspicion cross his mind, your power is
Weakened from that moment, and he will l
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