o find comfort of his own; but, however he came by it, he had a hope
that this was a passing curse that had come on the world, whose welfare
he cared for whether he lived or died, and that looking a little
farther into the future he would see Mother Earth smiling and her
children happy again. So he looked through the deep-blue luminous
window once more, beyond the battles we know. From this he turned back
shuddering.
Again he saw the Professor smile with his lips, though whether at his
own weakness, or whether with cynical mirth at the fate of the world,
Rodriguez could not say.
THE FOURTH CHRONICLE
HOW HE CAME TO THE MOUNTAINS OF THE SUN
The Professor said that in curiosity alone had been found the seeds of
all that is needful for our damnation. Nevertheless, he said, if
Rodriguez cared to see more of his mighty art the mysteries of
Saragossa were all at his guest's disposal.
Rodriguez, sad and horrified though he was, forgot none of his
courtesy. He thanked the Professor and praised the art of Saragossa,
but his faith in man and his hope for the world having been newly
disappointed, he cared little enough for the things we should care to
see or for any of the amusements that are usually dear to youth.
"I shall be happy to see anything, senor," he said to the Slave of
Orion, "that is further from our poor Earth, and to study therein and
admire your famous art."
The Professor bowed. He drew small curtains over the windows, matching
his cloak. Morano sought a glimpse through the right-hand window before
the curtains covered it. Rodriguez held him back. Enough had been seen
already, he thought, through that window for the peace of mind of the
world: but he said no word to Morano. He held him by the arm, and the
Professor covered the windows. When the little mauve curtains were
drawn it seemed to Rodriguez that the windows behind them disappeared
and were there no more; but this he only guessed from uncertain
indications.
Then the Professor drew forth his wand and went to his cupboard of
wonder. Thence he brought condiments, oils, and dews of amazement.
These he poured into a vessel that was in the midst of the room, a bowl
of agate standing alone on a table. He lit it and it all welled up in
flame, a low broad flame of the colour of pale emerald. Over this he
waved his wand, which was of exceeding blackness. Morano watched as
children watch the dancer, who goes from village to village when spring
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