n picturesque patience for the draw to open.
They saw what a beautiful town that was for a boy to grow up in, and how
many privileges it offered, how many dangers, how many chances for
hairbreadth escapes. They chose that Heine must often have rushed
shrieking joyfully down that foul alley to the Rhine with other boys; and
they easily found a leaf-strewn stretch of the sluggish Dussel, in the
Public Garden, where his playmate, the little Wilhelm, lost his life and
saved the kitten's. They were not so sure of the avenue through which the
poet saw the Emperor Napoleon come riding on his small white horse when
he took possession of the Elector's dominions. But if it was that where
the statue of the Kaiser Wilhelm I. comes riding on a horse led by two
Victories, both poet and hero are avenged there on the accomplished fact.
Defeated and humiliated France triumphs in the badness of that foolish
denkmal (one of the worst in all denkmal-ridden Germany), and the memory
of the singer whom the Hohenzollern family pride forbids honor in his
native place, is immortal in its presence.
On the way back to their hotel, March made some reflections upon the open
neglect, throughout Germany, of the greatest German lyrist, by which the
poet might have profited if he had been present. He contended that it was
not altogether an effect of Hohenzollern pride, which could not suffer a
joke or two from the arch-humorist; but that Heine had said things of
Germany herself which Germans might well have found unpardonable. He
concluded that it would not do to be perfectly frank with one's own
country. Though, to be sure, there would always be the question whether
the Jew-born Heine had even a step-fatherland in the Germany he loved so
tenderly and mocked so pitilessly. He had to own that if he were a negro
poet he would not feel bound to measure terms in speaking of America, and
he would not feel that his fame was in her keeping.
Upon the whole he blamed Heine less than Germany and he accused her of
taking a shabby revenge, in trying to forget him; in the heat of his
resentment that there should be no record of Heine in the city where he
was born, March came near ignoring himself the fact that the poet
Freiligrath was also born there. As for the famous Dusseldorf school of
painting, which once filled the world with the worst art, he rejoiced
that it was now so dead, and he grudged the glance which the beauty of
the new Art Academy extorted from
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