the high forehead, courage in the dark eye and bent brow, and
frankness in the thick lips that showed a set of pearly teeth.
Villefort's first impression was favorable; but he had been so often
warned to mistrust first impulses, that he applied the maxim to the
impression, forgetting the difference between the two words. He stifled,
therefore, the feelings of compassion that were rising, composed his
features, and sat down, grim and sombre, at his desk. An instant after
Dantes entered. He was pale, but calm and collected, and saluting his
judge with easy politeness, looked round for a seat, as if he had been
in M. Morrel's salon. It was then that he encountered for the first
time Villefort's look,--that look peculiar to the magistrate, who, while
seeming to read the thoughts of others, betrays nothing of his own.
"Who and what are you?" demanded Villefort, turning over a pile of
papers, containing information relative to the prisoner, that a police
agent had given to him on his entry, and that, already, in an hour's
time, had swelled to voluminous proportions, thanks to the corrupt
espionage of which "the accused" is always made the victim.
"My name is Edmond Dantes," replied the young man calmly; "I am mate of
the Pharaon, belonging to Messrs. Morrel & Son."
"Your age?" continued Villefort.
"Nineteen," returned Dantes.
"What were you doing at the moment you were arrested?"
"I was at the festival of my marriage, monsieur," said the young man,
his voice slightly tremulous, so great was the contrast between that
happy moment and the painful ceremony he was now undergoing; so great
was the contrast between the sombre aspect of M. de Villefort and the
radiant face of Mercedes.
"You were at the festival of your marriage?" said the deputy, shuddering
in spite of himself.
"Yes, monsieur; I am on the point of marrying a young girl I have been
attached to for three years." Villefort, impassive as he was, was struck
with this coincidence; and the tremulous voice of Dantes, surprised
in the midst of his happiness, struck a sympathetic chord in his own
bosom--he also was on the point of being married, and he was summoned
from his own happiness to destroy that of another. "This philosophic
reflection," thought he, "will make a great sensation at M. de
Saint-Meran's;" and he arranged mentally, while Dantes awaited further
questions, the antithesis by which orators often create a reputation for
eloquence. When this sp
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