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an abandoned craft, aged and deserted, aground down the marsh with only its mast rising above the waste." "_Bien_! there it is," said Carrington; "and now the question is, how to get to it." "You two giants will have to go," said Keith, finding a comfortable seat. "I see a mile or two of tall wading before us, and up to your shoulders is over my head. I went duck-shooting with that man last year, senora. 'Come on,' he cried--'splendid sport ahead, old fellow; come on.' "'Is it deep?' I asked from behind. I was already up to my knees, and could not see bottom, the water was so dark. "'Oh, no, not at all; just right,' he answered, striding ahead. 'Come on.' "I came; and went in up to my eyes." But the senora did not smile. "You know Carrington is taller than I am," explained Keith, amused by the novelty of seeing his own stories fall flat. "Is he?" said the Sister vaguely. It was evident that she had not observed whether he was or not. Carrington stopped short, and for an instant stared blankly at her. What every one noticed and admired all over the country wherever he went, this little silent creature had not even seen! "He will never forgive you," said Keith laughing, as the two tall forms strode off into the marsh. Then, seeing that she did not comprehend in the least, he made a seat for her by spreading his light coat on the Appalachian chain, and, leaning back on his elbow, began talking to her about the marsh. "Breathe in the strong salt," he said, "and let your eyes rest on the green, reedy expanse. Supposing you were painting a picture, now--does any one paint pictures at your convent?" "Ah, yes," said the little nun, rousing to animation at once. "Sister St. James paints pictures the most beautiful on earth. She painted for us Santa Inez with her lamb, and Santa Rufina of Sevilla, with her palms and earthen vases." "And has she not taught you to paint also?" "Me! Oh, no. I am only a Sister young and of no gifts. Sister St. James is a great saint, and of age she has seventy years." "Not requisites for painting, either of them, that I am aware," said Keith. "However, if you were painting this marsh, do you not see how the mast of that boat makes the feature of the landscape the one human element; and yet, even that abandoned, merged as it were in the desolate wildness of the scene?" The Sister looked over the green earnestly, as if trying to see all that he suggested. Keith ta
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