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ls sont ces citoyens?" he inquired, taking us in from top to toe, and stroking his long beard all the while. Some one told him our names, at which he made a wry face, the more that mine must have been familiar to him, seeing that a very near relative of mine, bearing the same, had been a special favourite with General Vinoy. He did not think fit to molest us; had he done so, it might have fared badly with us, for by the time Lord Lyons could have interfered, we might have been shot. Ever since, my friend and I have been under the impression that we owed our lives to a dark, ugly little man who, at that moment, whispered something to him, and who, my friend told me, immediately afterwards, was the right hand of Raoul Rigault, Theophile Ferre. That name was also familiar to me, as it was to most Parisians, previous to the outbreak of the war, because Ferre was implicated in the plot against Louis-Napoleon's life, and was tried in the early part of '70 at Blois. Every one knew how he insulted the President, how he refused to answer, and finally exclaimed, "Yes, I am an anarchist, a socialist, an atheist, and woe to you when our turn comes." He kept his word; he was a fiend, and looked one. Whenever there was anything cruel and bloodthirsty going on, he made it a point to be present. He was, though ugly, not half so ugly as Tridon, but one involuntarily recoiled from him. Curiously enough, this very Theophile Ferre, whom I then saw for the first time, had been the subject of a conversation I had with Gil-Peres, the actor of the Palais-Royal, on the 25th or 26th of March. I had known Gil-Peres from the moment he made his mark in "La Dame aux Camelias" as Gaudens. To my great surprise, a day or two after the proclamation of the Commune, I heard that he had been cruelly maltreated in the Rue Drouot, that he had narrowly escaped being killed. Two days later, I paid him a visit in his lodgings at Montmartre; for he had been severely, though not dangerously hurt, and was unable to leave his bed. "I am very sorry for your mishap," I said; "but what, in Heaven's name, induced you to meddle with politics?" He burst out laughing, in that peculiar laugh of his which I have never heard before or since, on or off the stage. The nearest approach to it was that of Grassot, but the latter's was like a discharge of artillery, while Gil-Peres was like that of a musketry volley. "I did not meddle with politics," he replied; "but you
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